- S.C. hospital worker slapped with $525 federal fine for refilling $0.89 soda
- Teen from ‘Jihad Jane’ plot becomes youngest ever to serve time on U.S. terror charges
- Iranian woman forgives son’s killer at the gallows
- Nebraska principal sorry for ‘don’t tattle’ flier
- Illinois readies to spend $100M for Obama museum in Chicago
- John Edwards back in court — this time as a lawyer for Va. boy’s malpractice case
- Covered California reports more than 200K in overtime Obamacare sign-ups
- Thanks, Chuck: Hagel says U.S. sending Ukraine sleeping mats, helmets
- HUMPRHIES: The Liberal Bully of the Week is …
- Secret Service threatened to kill Mr. Met if he got close to Clinton, mascot claims
Prequel a project worth exorcising
Could a movie opening inspire any less enthusiasm than “Exorcist: The Beginning?”
Let’s tally up the warning signs.
First, the original director’s (Paul Schrader) film was scrapped, and hackmeister Renny Harlin (2001’s “Driven”) re-shot it from scratch.
Then the finished product was held back from critics until Thursday night — too late for most newspapers to scrape together a weekend review.
Finally, and perhaps most significantly, is anyone clamoring for another “Exorcist” retread after two misbegotten sequels to the 1973 horror classic?
“Exorcist: The Beginning” confirms all our fears — and finds new ways to insult its audience.
Stellan Skarsgard (1997’s “Good Will Hunting”) stars as a young Father Merrin, the character played in the original “Exorcist” by Max von Sydow.
That casting coup is the one true note the prequel gets right, even if this fine actor looks lost amid gratuitous gore and cheap frights.
The prequel opens in Cairo, circa 1949, with Merrin having abandoned his faith after being forced to take part in some Nazi atrocities. Mr. Harlin hammers this point home with a number of mean-spirited flashbacks.
Now Merrin is a hard-drinking archaeologist, and he has been hired to inspect a dig in Africa after the discovery of a mint-condition church dating back to the early Christian era.
Strange things are afoot at the dig site. Workers are dropping like flies from mystery symptoms, and one worker had to be committed after entering the site.
The mystery only deepens when Merrin starts poking his newly atheistic nose around.
Could the grounds be haunted by a satanic force? Nonsense, says Merrin, though every scene points conclusively to just such a predicament.
Mr. Harlin’s sleeve isn’t always so empty. His giddy “Deep Blue Sea” (1999) proved a frothy blend of camp and horror, but when he plays it straight, as he does here, the results are pedestrian when they aren’t offensive.
We’re supposed to watch Merrin rediscover his faith as he battles the forces of evil, a precursor to his later fight on behalf of Regan, the “possessed” pea-soup-spitting victim.
By John R. Bolton
Reality calls for attaching Gaza to Egypt and the West Bank to Jordan
- Joe Biden's first Instagram pic mocked as shill for sunglass ad
- Jews being told to register in Ukraine: John Kerry
- Removal of military gear limits options for U.S., NATO in Ukraine
- BOLTON: A 'three-state solution' for Middle East peace
- 'Culture of intimidation' seen in Nevada ranch standoff
- Rand and Ron Paul ride to the rescue for Bundy in Nevada standoff with feds
- CURL: The state of the Union worse than you thought
- Army goes to war with National Guard, seizes Apache attack helicopters
- Cliven Bundy's Nevada ranch wrecked by retreating feds
- IRS emails reveal discussion with Justice about suing nonprofits for election activities
Top 10 handguns in the U.S.