Positively clueless

• Article
• Comments ()
• Click-2-Listen

By

The closet-conservative theory of Hollywood is that liberal dominance is real but not as total as it looks. The entertainment hub, according to the theory, is full of follow-the-crowd types who just want to go along, get along. There are some dissidents there, but they -- wisely -- don't advertise themselves.

That's what Namrata Singh Gujral, an ethnic Indian actress who began working in Hollywood shortly before the September 11 terrorist attacks and loves her adopted country, thought. In her more optimistic moments, she still thinks that.

But then, taking to heart President Bush's post-September 11 appeal to Hollywood for help in the war on terror, she and aviation screenwriting consultant Joe Cooper shopped around a script called "Americanizing Shelley," a light romantic comedy with pro-American sentiment. They thought they'd find takers among mainstream production companies.

No such luck.

"Shelley" is no patriotic chest-thumper. "It's engaging, it's warm, it's tender, it's funny -- it's all those things you want to experience when you see a film," assures a veteran executive producer who is helping develop and raise money for the project, but who asked to remain anonymous.

One "well-known producer," Miss Gujral says, watched a short work-up of the movie and liked it -- for the most part. There was that pro-American element: Must Shelley, the titular foreigner, lose her anti-American stance by movie's end? The producer, shaking his head, said, "Some people never learn."

Another producer, a female, reacted this way to the short film's dedication to "our troops who laid their lives on the line for our freedom": "We can't have that; that's ridiculous. In this climate" -- Iraq was going south, the Abu Ghraib prison scandal had erupted -- "I'm ashamed to be an American."

So Miss Gujral, who recently wrapped the indie movie "Mitsein," and Mr. Cooper, a Naval Reserve pilot soon to be deployed to the Middle East, pulled a Mel Gibson of sorts. They decided to opt out of the system and form a company of their own, American Pride Films Group. Their plan is for a full-scale production and distribution operation.

The modestly budgeted "Americanizing Shelley" is first on the slate; a more expensive war picture is next, provided the company can attract enough investors. (Contributions are tax deductible, and a portion of profits will go to families of killed or wounded American soldiers.)

According to its mission statement, APFG believes "Hollywood is doing a shoddy job of portraying the many blessings and freedoms our nation offers -- not just to Americans, but to people worldwide." Movies that do a better job, they reason, of conveying American values, not just its vast material wealth, and portray average Americans as decent, generous people, will be handy tools in combating anti-Americanism abroad.