- The Washington Times - Wednesday, January 10, 2007

OPENING

• Alpha Dog (2007) (R: Pervasive drug use and mature language, strong violence, sexuality and nudity). The true-life kidnapping and murder of an L.A. teen is brought to life in this hard-boiled thriller. “Dog” collects a curious array of stars to tell the tale, including Justin Timberlake, Sharon Stone, Bruce Willis and Emile Hirsch.

• Arthur and the Invisibles (2006) (PG). An adventure fantasy from the French filmmaker Luc Besson, unexpectedly attracted to a children’s novel titled “Arthur and the Minimoys.” He casts Freddie Highmore of “Finding Neverland” as a valiant boy pursuing clues that may rescue his vanished grandfather. Arthur encounters allies in the tiny creatures who inhabit a magical domain. With Mia Farrow and vocal performances from Anthony Anderson, David Bowie, Robert De Niro, Jimmy Fallon, Harvey Keitel, Madonna, Snoop Dogg and many others.

• Climates (2006) (No MPAA rating: Adult subject matter). A new feature from the Turkish filmmaker Nuri Bilge Ceylan, the writer-director of “Distant” a few years ago. He co-stars with spouse Ebru Ceylan as a married couple whose estrangement is played out against locations on the Aegean coast and in Istanbul. In Turkish with English subtitles. Exclusively at the Landmark E Street Cinema.

• Inland Empire (2007) (No MPAA rating). An exclusive preview engagement of a picaresque David Lynch epic shot in high-definition video over three years. The content may remain a mystery even after the movie is seen, but “Empire” is reputed to be a meditation on “memory and the mutability of personality.” Laura Dern plays the heroine, with Jeremy Irons, Justin Theroux and Harry Dean Stanton in supporting roles. Some episodes in Polish with English subtitles. One week only at the American Film Institute Silver Theatre.

• Letters from Iwo Jima (2007) (R: Graphic war violence). Clint Eastwood’s second World War II epic in the last few months focuses on the Japanese soldiers forced to fight in the waning days of the war. Weary troops dig in at Iwo Jima as the Allied forces advance for a major battle. In Japanese with English subtitles.

• Pan’s Labyrinth (2006) (R). Recently named the best movie of the year by the National Society of Film Critics, this polemical fantasy from the Mexican filmmaker Guillermo del Toro conjures up a portentous dream life for a lonely little girl, Ofelia, residing in rural Spain in 1944, when her stepfather is a military officer entrusted with hunting down diehard opponents of the Franco regime. In Spanish with English subtitles.

• Stomp the Yard (2007) (PG-13). An inspirational dance fable about a Los Angeles teenager, DJ (Columbus Short), who is admitted to the predominantly black Truth University in Atlanta, joins an unfashionable fraternity and brings glory to the house by adapting his “street” dancing style to the annual National Step Show Championship.

NOW SHOWING

• Blood Diamond (2006) (R) — ***. Leonardo DiCaprio stars as a South African smuggler pursuing a 100-karat pink diamond with the former slave who found it (Djimon Hounsou). Though it won’t stop Americans from buying diamonds, this action-packed expose of an industry should make them care about a country torn apart by greed. — Kelly Jane Torrance

• Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006) (R: Adult language, excretory humor, disturbing imagery, nudity and alcohol use) — ****. The ultimate in politically incorrect comedy. Sacha Baron Cohen’s Borat character visits the United States on a fact-finding mission to see what makes this country great. It’s merely an excuse for Mr. Cohen to stage a number of howlingly funny interviews with unsuspecting targets. — Christian Toto

• Casino Royale (2006) (PG-13: Intense sequences of violent action, a scene of torture, sexual content and nudity) — ***1/2. The James Bond franchise hits the rewind button as newcomer Daniel Craig assumes the license to kill. “Royale” is based on the first James Bond novel and shows how 007 became a superagent. This Bond is grittier and more realistic than his predecessors, yielding one of the best films in the spy canon. — Christian Toto

• Charlotte’s Web (2006) (G) — ***. A live-action remake of E.B. White’s beloved children’s book. Dakota Fanning stars as Fern Arable, the little girl who adopts a runty pig named Wilbur. Out in the barn, our porcine friend meets barnyard characters of all sorts, most notably an extremely dexterous spider named Charlotte (voiced by Julia Roberts), who ultimately will save his life. Though lacking the fun musical accompaniment of the earlier film version, the movie is wholesome, incredibly touching and likely to leave you teary-eyed. — Jenny Mayo

• Children of Men — (2006) (R: Strong violence, language, some drug use and brief nudity)— ***. The masterful Clive Owen stars as a cynic recruited to save the world in this carefully crafted dystopian sci-fi piece. In London 2027, no children have been born in 18 years. When rebels discover a pregnant woman, warring factions will stop at nothing to use her for their own ends. — Kelly Jane Torrance

• Code Name: The Cleaner (2007) (PG-13). A suspense comedy starring Cedric the Entertainer as a janitor whose sudden memory loss may have something to do with an arms smuggling conspiracy. Lucy Liu is cast as the undercover agent assigned to protect him and Nicolette Sheridan as the vamp assigned to bewilder him. Not reviewed.

• Curse of the Golden Flower (2006) (R: Violent swordplay and mature themes) — **1/2. Director Zhang Yimou brings his visual brilliance to a tale of a Chinese emperor battling with his dysfunctional clan. “Curse” lacks the grandeur of Mr. Yimou’s best work (“House of Flying Daggers”) but it still has a brilliant moment or two for patient audiences. In Chinese with English subtitles. — Christian Toto

• Dreamgirls — (2006) (PG-13: Language, racism, some sexuality and drug content) — ***1/2. Beyonce Knowles, Jennifer Hudson and Anika Noni Rose play the members of a pop vocal trio of the early 1960s loosely based on the Supremes. For the most part, the $70 million big-screen adaptation of the 1981 Broadway hit is as good as its hype — as is Jennifer Hudson as Effie White, in an astonishing film debut. Director Bill Condon skillfully translates the musical to the big screen in this timeless tale of backstage ambition, racism, heartache and redemption that spans the 1960s and ‘70s. — Robyn-Denise Yourse

• Eragon (2006) (PG: Battle sequences and some frightening moments) — **1/2. The popular fantasy novel by Christopher Paolini is reborn as a motion picture gunning for the “Lord of the Rings” demographic. Young Edward Speleers plays Eragon, who slowly learns it’s his fate to become a Dragon Rider and fight an evil king. Some nifty dragon effects will win over younger viewers, but everyone else will be hamstrung by the tin-ear dialogue and false sense of adventure. — Christian Toto

• Freedom Writers (PG-13: some violent content, mature themes and language) — **. Writer-director Richard LaGravenese tells the true-life story of Erin Gruwell (Hilary Swank), a bright-eyed young teacher who enters a Long Beach, Calif., public high school in the wake of the Rodney King riots. Encountering a community plagued by violence coupled with a school system that lacks a means to effectively reach its students, she resolves to make a difference. She gives her students journals and educates them about other young people who’ve lived through wars (like Anne Frank), and the results are miraculous. Unfortunately, the film is a bit cliche. — Jenny Mayo

• The Good German — (2006) (R: Language, violence and some sexual content) — ***. Steven Soderbergh’s homage to the golden age of Hollywood was made using only 1940s filmmaking techniques. The result is a visually stunning but thematically uneven take on love and betrayal during wartime. George Clooney and Cate Blanchett approach the greatness of Cary Grant and Marlene Dietrich. — Kelly Jane Torrance

• The Good Shepherd — (2006) (R: Some violence, sexuality and language) — **1/2. A stellar cast headlines Robert De Niro’s second directorial effort. A fictionalized telling of the founding of the CIA, “The Good Shepherd” is a technical achievement but a story without a soul. — Kelly Jane Torrance

• Happily N’Ever After (2007) (PG). The follow-up animated farce from the producer of “Hoodwinked,” once again reviving the vintage Jay Ward sideline called “Fractured Fairy Tales.” The subject shifts from Little Red Riding Hood to the post-marital Cinderella, who faces a palace revolt masterminded by her bitter stepmother. Sarah Michelle Gellar and Sigourney Weaver dub the voices of the antagonists. Not reviewed.

• Happy Feet (2006) (PG: Some rude humor and mild peril involving hungry sea lions) — **. The latest animated flick from Warner Bros. In it, penguin parents Memphis (Hugh Jackman) and Norma Jean (Nicole Kidman) beget the adorable, happy-footed Mumble (Elijah Wood). Rather than developing the requisite singing skills of his breed, Mumble shows more prowess in tap-dancing, which eventually causes him to be cast out and sent on a journey to explore himself and his world. — Jenny Mayo

• The History Boys (2006) (R: Occasional profanity and sexual candor). ***1/2. The smash stage play becomes one of the year’s most thoughtful and entertaining films. Eight Yorkshire boys aim to get into Oxford and Cambridge with the help of their teachers, who argue over the importance of art to life. — Kelly Jane Torrance

• The Last King of Scotland (2006) (R: Some strong violence and gruesome images, sexual content and language) — ***1/2. This fictionalized study of Ugandan despot Idi Amin guarantees Forest Whitaker an Oscar nomination for his nuanced and mesmerizing turn as Amin. The rising young Scottish actor James McAvoy plays a Scottish medical missionary, a naive idealist who becomes Amin’s personal physician and eventually an unwitting partner to his crimes. The film offers not just a sophisticated understanding of the cult of personality but, with Mr. Whitaker’s performance, an engrossing tale from the start through its bloody end. — Kelly Jane Torrance

• Miss Potter (PG: Brief mild language) — **1/2. Renee Zellweger stars as Beatrix Potter in this bland biopic about the author of “The Tale of Peter Rabbit.” Neither star nor script invests this extraordinary Edwardian with much depth. — Kelly Jane Torrance

• Night at the Museum (2006) (PG-13). The “Jumanji” method is revived in this comic fantasy about a new night watchman, Ben Stiller, who discovers the nerve-wracking aspects of his workplace, a museum whose exhibits come magically — and sometimes alarmingly — to life in the dead of night. With Carla Gugino, Dick Van Dyke, Mickey Rooney, Ricky Gervais and Robin Williams, impersonating Theodore Roosevelt. Not reviewed.

• Notes on a Scandal (2006) (R: Language and some aberrant sexual content) — ***1/2. Few moviegoing experiences this year were as pleasurable as watching Judi Dench and Cate Blanchett, two of the best actresses of their generations, go at each other in “Notes on a Scandal.” Miss Blanchett is a teacher having an illicit affair with a student, while Miss Dench uses her friend’s secret for her own purposes in this literate thriller turned melodrama. — Kelly Jane Torrance

• The Painted Veil (2006) (PG-13: Sexual situations, partial nudity, disturbing images and brief drug content) — ***1/2. Edward Norton and Naomi Watts star as a British couple reeling from infidelity and boredom in this exquisitely crafted take on W. Somerset Maugham’s novel. They travel East to help Chinese villagers battle a cholera epidemic and learn about their fractured relationship in the process. — Christian Toto

• Perfume: The Story of a Murderer (R: Socially deviant behavior, graphic violence, nudity and disturbing images) — **1/2. Director Tom Tykwer (“Run Lola Run”) adapts Patrick Suskind’s bestselling novel for the big screen in this chilling film. In 18th-century France, a young imp with a super-powered smeller begins to learn the art of perfumery — in order to preserve the scent of what he finds to be the olfactory equivalent to heaven: beautiful women. Too bad he has to kill them to obtain their musk, and too bad this creepy production isn’t another intelligent thriller like Mr. Tykwer’s last film. — Jenny Mayo

• The Pursuit of Happyness (2006) (PG: Some language) — **1/2. Will Smith stars as Chris Gardner, a single father with little formal education — and no home — who pursues his dream of becoming a stockbroker. Mr. Smith’s real son stars along with him in this inspiring true-life tale. — Kelly Jane Torrance

• The Queen (2006) (PG-13: Brief strong language) — ***. Helen Mirren gives a savvy, thoughtful interpretation of Queen Elizabeth II, who, as the film would have it, jeopardized the monarchy because she was insufficiently upset about the death of her son’s ex-wife Diana, Princess of Wales — and is taught a thing or two about the public and the press by her green new prime minister, Michael Sheen as Tony Blair. With James Cromwell as Prince Philip. — Kelly Jane Torrance

• Rocky Balboa (2006) (PG: Boxing violence) — ***. Sylvester Stallone’s iconic hero returns for one last sequel. Rocky is lured back into boxing by the buzz surrounding an ESPN computer fight that matches him against the current champ, Mason Dixon (Antonio Tarver). Mr. Stallone, who wrote and directed, reaches back to give “Balboa” much of the heart from the first “Rocky.” — Christian Toto

• Venus (2006) (R). A British comedy about generational bonding, with Peter O’Toole and Leslie Phillips as retired actors whose routine is rejuvenated by the arrival of the latter’s grandniece, played by Jodie Whittaker. Not reviewed.

• Volver — (2006) (R: Morbidity, mild violence and adult themes) — ***. Spanish filmmaker Pedro Almodovar’s 16th full-length feature. The tenured writer-director returns to the big screen and to his homeland of La Mancha to tell this tale of two sisters, Raimunda (Penelope Cruz) and Sole (Lola Duenas), whose mother (Carmen Maura) re-enters their lives as a ghost. The cloud of magical realism hangs over this pastiche of hilarious, heartwarming and painfully honest vignettes, making for a beautifully textured film. In Spanish with English subtitles. — Jenny Mayo MAXIMUM RATING: FOUR STARS

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