- The Washington Times - Thursday, September 27, 2007

NEW YORK – A never-before-exhibited collection of letters from Vincent van Gogh to a colleague reveal the beliefs and mundane challenges of the artistic genius — from his beliefs about sex to keeping his easel steady in the wind.

Van Gogh wrote the letters to Emile Bernard over two years, starting in 1887 and continuing until shortly before the tortured artist committed suicide in 1890.

“You see the human being in a body — who gets exhausted, working at his easel, outdoors in the blazing sun, with no food on some days,” says Jennifer Tonkovich, curator of “Painted With Words: Vincent van Gogh’s Letters to Emile Bernard,” on display at the Morgan Library & Museum.

The 20 letters — alternately frank, humorous and profound — relate to 22 paintings, drawings and watercolors in the exhibit that the two artists discussed or exchanged, including a portrait of a French soldier dressed in a bright uniform influenced by the Algerian background of the so-called Zouave regiment.

“It’s coloristically brilliant. And it captures the humanity of the moment,” Miss Tonkovich says of the face, which the artist describes as “bloody ugly.”

Bernard, an artist and poet 15 years younger, became friends with the Dutch-born van Gogh in Paris, and the two often worked side by side. Van Gogh later moved to Arles, in the south of France. He committed suicide at age 37, walking into fields outside Paris and shooting himself in the chest.

Months earlier, from Arles, he had written to Bernard: “I am in better health here than in the north — I even work in the wheat fields at midday, in the full heat of the sun, without any shade whatever, and there you are; I revel in it like a cicada.”

In the 1920s, the letters ended up in the possession of the Baroness Marianne de Goldschmidt-Rothschild, who kept them in her home in Berlin and passed them on to her descendants in Paris. Nineteen of the letters belong to collectors Eugene and Clare Thaw of Santa Fe, N.M., who have promised the collection, worth millions, to the museum.

The letters from Bernard to van Gogh have disappeared, perhaps because van Gogh moved around while undergoing psychiatric treatment, Miss Tonkovich says.

The letters debunk the popular conception of the artist as an unknown, naive genius recognized only after his death.

“You have the sense of a well-read person; van Gogh read everything from the Bible to Zola. And his talent was recognized even then,” she says.

Van Gogh complains about his eyes getting tired from painting and about the challenge of keeping his easel from being blown away by the wind in the fields.

He also talks about sex.

“Van Gogh adamantly believed that too much sexual activity detracts from your work,” the curator says. “He believed sexual activity depletes you.”

Van Gogh had left a woman with whom he was living in Holland to devote himself entirely to painting, Miss Tonkovich says. However, when he had the money, van Gogh writes, he tried to visit a brothel about every two weeks.

In the letters, he talks about finances and about his health — and how to maintain his stamina for work by eating well. There is little direct reference to his mental health, “but you’re aware that there’s this problem. He talks about calming his head,” the curator says.

The exhibit opens tomorrow and runs through Jan. 6.

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