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Austen on PBS

Jane Austen died almost two centuries ago, but interest in her and her work seems as strong as ever.

There was last year's biopic "Becoming Jane," with Anne Hathaway as the titular authoress. Now PBS has chosen to present adaptations of all six of her novels to restart "Masterpiece Theatre."

Gillian Anderson, the "X-Files" star who made a memorable appearance on "Masterpiece" in the almost-perfect 2005 adaptation of Charles Dickens' "Bleak House," begins hosting duties this weekend on the "Masterpiece Classic" series of period dramas for this winter and spring. PBS will announce hosts for the summer's "Masterpiece Mystery!" and the fall's "Masterpiece Contemporary" later this year.

"Persuasion," an adaptation of Austen's last completed novel, opens "The Complete Jane Austen" Sunday at 9 p.m. on WMPT-22 and WETA-26. It's one of the series' four new productions, along with "Northanger Abbey" (Jan. 20), "Mansfield Park" (Jan. 27) and "Sense and Sensibility" (March 30 and April 6). The "Pride and Prejudice" shown on Feb. 10, 17 and 24 will be the celebrated 1995 version starring Colin Firth and Jennifer Ehle. (Producers knew they couldn't top this one.) The "Emma" shown on March 23 will be the 1996 version starring Kate Beckinsale, which was far superior to the Gwyneth Paltrow feature film.

There's also a new biopic, "Miss Austen Regrets," that promises to focus on Austen's love life, much as "Becoming Jane" did. It airs Feb. 3.

In Sunday's "Persuasion," Sally Hawkins stars as Anne Elliot, who at 27 is practically considered an old maid by Regency standards. She gave up her one love eight years previously on the advice of friends and family because the young naval officer who proposed to her had no fortune.

Now, however, Captain Wentworth (Rupert Penry-Jones) does, and it's the Elliots who have fallen on hard times. Some rather pretty but flighty girls make plays for the dashing and rich officer — "Such manners." "Such conversation." "Such capital!" — but does he still have a soft spot for the more worthy Anne's charms?

I'm not sure why, but directors of oft-adapted material often feel the need to make their films look modern, and "Persuasion" director Adrian Shergold is no exception: The dreaded shaky cam is here from start to finish. It's too bad because the most beautiful of his shots are the still ones, as when two girls run across one of the many glorious English vistas.

Mr. Shergold's other attempt to make a modern-looking film is having his star often look directly at the camera. It comes off as a bit silly, but luckily, little else here does, aside from Amanda Hale's strange performance as Anne's sister Mary Musgrove.