- Hank Aaron steps to fundraising plate for Democrat Michelle Nunn
- ISIL terrorists blow up burial site of Jonah, vow more of same
- Impeach Obama, say 35 percent in new poll
- Taliban yank 14 Shiites off bus, bind and shoot them on Afghan road
- Obama takes aim at ‘corporate deserters’
- Dick’s Sporting Goods lays off 478 PGA golf pros
- Senators: Cease-fire must allow Israel to defend against rockets, tunnels
- Sierra Leone doctor fighting Ebola catches disease
- Iraq welcomes Russian fighter jets, helicopter gunships into ISIL fight
- John McCain laments: Obama’s ‘self-pity … is really kind of sad’
BEYOND HOLLYWOOD: ‘Welles’ for a new age
Question of the Day
The “High School Musical” set wouldn’t ordinarily have much interest in a feature film about a filmmaker whose most lasting work was completed some 50 years before they were born. But with teen heartthrob and star of the Disney series Zac Efron in the mix, anything is possible.
Part coming-of-age story and part history lesson, “Me and Orson Welles” tells the story of Richard (the “me” of the title, played by Mr. Efron), a young high school student who falls under the sway of the legendary auteur during his oft-forgotten Mercury Theatre days. While working with Welles, Richard falls in love with Sonja (played by Claire Danes) and competes with Welles for her affections.
Mr. Efron hopes he can help expose an entire generation of young people to the great work of a Hollywood legend. “I would love for them to come on this adventure and go see this movie, because it’s something very different,” he says during a recent interview at the Ritz-Carlton Georgetown. “It would be pretty cool to say that as a result of ‘High School Musical,’ I got everybody to go see this movie.”
Though the marketing campaign has been limited thus far, it’s not crazy to think Mr. Efron’s star power amongst the tween set could propel the picture to success.
“There were just girls, everywhere. It was like a barrier of screaming girls every time you go to the set,” Miss Danes says of her co-star’s appeal. No stranger to growing up in front of the camera herself — she was just 13 when she starred on the ABC drama “My So-Called Life” — she still finds it remarkable just how much things have changed in the past 15 years.
“Nobody had cell phones that they could take your picture with,” she explains. “There wasn’t this proliferation of tabloids. The Internet didn’t really exist. I felt great compassion for him, because he’s constantly observed and monitored in a way that I really wasn’t.”
That scrutiny comes with a bonus, however: the ability to get your projects noticed by a demographic cohort that otherwise might remain oblivious.
“I’ve always had an affinity for Orson Welles,” Mr. Efron says, explaining why he wants to bring the Hollywood legend to a younger generation more interested in the Disney Channel than Turner Classic Movies. “He had mastered every form of media — theater, radio and cinema — before the age of 24.”
Irish film showcase
An influx of government subsidies and a burgeoning creative class have helped fuel an explosion in the Irish cinema in recent years. The Capital Irish Film Festival is bringing 10 days of craic (the Irish term for fun or good conversation) to Washington, screening 15 features and three short film programs through Dec. 20.
“Irish film has had a huge resurgence over the last 20 years,” says artistic director Linda Murray. “There’s an awful lot of money out there to make films.”
The festival has run in Washington since 2005, but a surge in entries and increased demand led planners to expand to four sites this year: The Goethe-Institut, E Street Cinema, Flashpoint and Fort Fringe all will host screenings during the 10-day festival.
New for 2009 is a pair of midnight screenings on the two Fridays of the festival: “Strange Days Are These” and “Situations Vacant,” a pair of comedies, will screen at Fort Fringe.
“Strange Days Are These” is a mockumentary about a B-movie director who is having trouble getting his latest project off the ground. “Situations Vacant” is a flick about the state of the economy as a pair of 20-somethings look to enter the work force for the first time.
“We’ve done 10 p.m. shows with our theater programming, and we’ve found that there’s a younger audience,” Ms. Murray says, acknowledging the midnight screenings are “a bit of an experiment.”
About the Author
- BEYOND HOLLYWOOD: Poking fun at blaxploitation
- MOVIES/BUNCH: A year of hits... and misses (mostly hits)
- 'Avatar' rising
- Blu-ray for everyone
- MOVIE REVIEW: 'Did You Hear About the Morgans?'
Latest Blog Entries
TWT Video Picks
Second- and third-stringers eye 2016 if front-runner stumbles
- 'We're coming for you, Barack Obama': Top U.S. official discloses threat from ISIL terrorists
- Obama orders Pentagon advisers to Ukraine
- NAPOLITANO: What if our democracy is a fraud?
- Michelle Obama says money in politics is bad, asks donors for 'big, fat check'
- PRUDEN: The Democratic-wannabe mice under Hillary Clinton's feet
- Hamas rejects Kerry's call for cease-fire; Fears grow others could join fight against Israel
- Presidents of Honduras, Guatemala blame U.S. for border children crisis
- Evidence shows Russia firing artillery into Ukraine: Pentagon
- Norway expects imminent 'concrete threat' from ISIL terrorists 'within days'
- Obama takes aim at 'corporate deserters'
Obama's biggest White House 'fails'
Celebrities turned politicians
Athletes turned actors
20 gadgets that changed the world
Fighting in Iraq