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The Washington Times Online Edition

An off-balancing act

Peter Lockley / The Washington Times
Wizards forward Antawn Jamison is averaging 20.8 points and 8.8 rebounds this season.Peter Lockley / The Washington Times Wizards forward Antawn Jamison is averaging 20.8 points and 8.8 rebounds this season.

Washington Wizards power forward Antawn Jamison is nowhere near conventional.

True, for the better part of the past decade Jamison - who for his career is averaging 19.7 points and 8.0 rebounds - has ranked among the most consistent players at his position, and he has only gotten better with age. But Jamison is one of the most unorthodox players - not only in the game today but in NBA history.

His defensive game is fairly typical; he routinely pulls down double-digit rebounds and defends counterparts on the blocks. But on offense, Jamison plays with more finesse than most power forwards - only his version of finesse isn’t easy to find elsewhere.

Sure, he has the typical catch-and-shoot down pat, as well as the turnaround jumper and occasional layup. But after that, the talented Mr. Jamison breaks out an assortment of baffling circus shots that causes observers to go from “What is he thinking?” to “Oh, wow!” in a split second.

“On a lot of those shots, I always used to ask him if his eyes were open,” interim coach Ed Tapscott said about Jamison, who is averaging team highs of 20.8 points and 8.8 rebounds this season. “And he insists they always were, so OK. Antawn Jamison is a very unique player, and I doubt anyone will come along that’s quite like him for some time.”

Jamison’s tricks include a move on which he posts up on the right block, dribbles, spins to his left and cuts across the lane with an awkward-looking skip. Opponents expect him to go up for a hook shot and extend a hand and often jump in anticipation. But Jamison instead does a double clutch and then heaves the ball up like a shot put while falling away, sending it up into the air before it arcs downward into the hoop. Nothing but net.

Other times, he posts up on the opposite block, spins to his right and into the lane. Leaning in toward the hoop, he goes up with the ball in his left hand but switches to his right in midair and scores on a teardrop shot.

Then there’s the post-up along the baseline, which includes a fake to the right and a spin to the left along the baseline toward the hoop and ends with Jamison either tossing up an underhanded shot or a teardrop - or hitting a pull-up jumper. Eight out of 10 times, he draws a foul, too.

Other times, he catches the ball along the perimeter, puts the ball on the floor, charges to the basket and goes up for a runner off his left foot, not his right.

He will pull down a rebound, go back up - even though his back is to the basket - initiate contact with a defender and throw up a prayer over his shoulder before getting to the line for a chance at a three-point play.

Or he will get the ball in the paint, take one step forward and lean past his opponent for another scoop shot. He will go up for a left-handed dunk or unleash what resembles a hybrid of a runner and a hook shot, which starts from waist level and arcs over even the longest of arms in the NBA.

The list goes on.

“My favorite shot is the one where he’s cutting to the basket and gets a pass from the guard, takes one step and before the big man can react, goes up with a runner that goes up real high and drops in,” said Wizards center Brendan Haywood, also Jamison’s teammate at North Carolina. “I always say, the worse the Antawn Jamison shot looks, the more likely it is to go in.”

Jamison is so unpredictable that it took the Wizards’ team photographer a full season to get the timing down on his flip shot so he could capture it in frame.

Two elements always are present, though. The circus shots all are unleashed close to the basket, and all seem to be impossible. Other than that, there are no rules, no proper steps to execution.

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