- Associated Press - Monday, August 2, 2010

BUDAPEST, HUNGARY (AP) - A tug-of-war in the United States over who owns a huge art trove seized by Hungary’s Nazi henchmen is the most prominent example of disputed restitution policies in formerly communist eastern Europe _ but by no means the only one.

Heirs of Jewish banker Baron Mor Lipot Herzog filed suit last week against the Hungarian government in U.S. District Court in Washington. They also are suing several state-owned museums to try to recover the works.

But uncounted other works and collections hanging on museum walls in Bucharest, Belgrade or Budapest also were once the property of Jews, who were coerced into handing them over by Germany’s Nazi allies or simply abandoned them as they fled for their lives.

Other examples of the expropriated art are unlikely to be as valuable as the works claimed by the Herzog heirs _ which includes El Grecos, van Dycks, Velazquez and Monets and is estimated to be worth more than $100 million.

But collectively, the paintings, sculptures and other objets d’art scattered across Russia, the former Soviet bloc and other previously communist European nations may exceed that amount.

Nobody knows _ because in most cases there are either no reliable records of how the museums came to ownership, or no laws governing restitution. In some cases both are lacking.

A paper presented last year at a Prague conference reviewing the restitution records of dozens of countries endorsing the return of Jewish property found some fault with most European nations on the issue. But it gave the worst grades to Russia, the Soviet Union’s former European republics, and those of the now dissolved communist Yugoslavia.

Of the 18 countries in this category, the overview _ drawn up by the Claims Conference and the World Jewish Restitution Organization _ found that only the Czech Republic and Slovakia had both enacted restitution laws governing art and were conducting provenance research.

It named Belarus, Bosnia, Bulgaria, Estonia, Hungary, Latvia, Lithuania, Macedonia, Poland, Romania, Serbia, Slovenia and Ukraine as countries that did not “appear to have made significant progress” in implementing 1998 commitments. Such responsibilities include establishing the origin of suspicious art works, developing legal processes for restoration and proactively seeking out Jewish heirs of such works.

Before the Holocaust, Jews owned property in Europe worth between $10 billion and $15 billion at the time, according to a 2007 study by economist Sidney Zabludoff.

Most was taken and never returned or paid for, translating into a missing $115 billion to $175 billion in current prices, the study said. Initially, many Western European governments paid restitution for only a fraction of the stolen assets, while Eastern European countries in the Soviet bloc paid almost nothing at all, it said.

“There were Jewish people of substance in these various countries who owned art,” notes Judah Best, a Washington lawyer and a commissioner of the Smithsonian American Art Museum in Washington. “They either bargained their art away to escape, or they never escaped.”

Part of the reason for the lack of transparency in the East may be decades of scant attention to the region during its time on the other side of the Iron Curtain.

When the international focus turned on Austria as a perpetrator instead of a victim of the Nazis in the 1980s, it enacted _ and since enforced _ a law regulating returns of looted art. Many other West European nations have yet to follow suit, despite efforts made in the post war period. Among them is Germany, which has a good record on other restitution issue but has not enacted any new laws on returning art since lapsed decades ago.

But among the worst cases are to be found in the former Soviet bloc.

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