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Simon goes back to way old methods for new disc
NEW YORK (AP) - It seems strange to think that one of popular music’s most successful singer-songwriters considered it a change of pace to sit in a room with an acoustic guitar to compose.
But since Paul Simon’s landmark 1986 album “Graceland,” which fused African rhythms with a literate New Yorker’s songs, he has primarily started his compositions with a rhythm track and made the words and tunes fit around that. The new disc “So Beautiful or So What” began with Simon at his home studio writing two ballads and an instrumental.
“That cast the album in a slightly different way than the previous ones,” the 69-year-old singer said in a recent interview.
He still enjoys writing songs with a base of rhythm, but said he wanted to break his pattern, to go back to the way he used to write just to see if he could still do it.
“In all the years I have known him, he is very much (about) not wanting to do things the same way, and I think he had reached that point,” he added.
You feel the presence of God on Simon’s disc, but not always in a spiritual sense. In “Love and Hard Times,” God pays a visit to Earth with his son and doesn’t stay long, concluding “these people are slobs here.” Simon speaks in God’s voice in “Love is Eternal Sacred Light” and, on “The Afterlife,” envisions meeting Him in heaven (all he can think of to say is “Be Bop a Lula”).
He keeps listeners on their toes with some lyrical left turns. In “Questions for the Angels,” Simon precedes a big question _ who would ultimately care if all the humans in the world disappeared? _ with a verse ruminating about a Jay-Z billboard in Brooklyn.
“In the same way that I’ll change colors and musical textures, I change things lyrically,” he said. “I might be on some metaphysical journey to the Pyramids and stop for a while to pull it back. That stops the dream feeling for a while, so when you return to it, hopefully it feels fresh again.”
Despite Simon changing the way he wrote, part of the album still employs some of the world music stylings that have become a hallmark of this stage in his career. The more rhythmic material is actually the most arresting on the disc, a point noted in a somewhat critical album review by Jim Farber of the New York Daily News.
“Rhythm has come to rule his music over the one element that gave his earlier work its greatest hold on history _ exquisite melody,” Farber wrote.
The most gripping cut employs an entirely new style for Simon _ sampling. He was listening to a disc that contained old sermons one day and was intrigued by a call-and-response sermon called “Getting Ready for Christmas Day.” He built a musical track around it and wrote lyrics to go with the 1941 sermon by the Rev. J.M. Gates.
“It was an interesting songwriting problem to solve,” Simon said.
And, you can dance to the solution.
The title cut has one of the most straightforward messages; essentially that life is what you make of it. “So Beautiful or So What” seemed to confuse a slightly loopy Neil Diamond at the Rock and Roll Hall of Fame ceremony last month (Simon inducted him), who suggested it was a lousy title. But he recovered by saying that “I dare anybody in this room to make a better album.”
By Tom Fitton
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