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AIDS and war _ 3 shows tackle them and win big
Question of the Day
NEW YORK (AP) - This year’s Tony Awards honored “The Normal Heart” for its passionate look at the AIDS crisis. It also bestowed Tonys on “War Horse,” a play that showed the horror of the battlefield. But the night’s biggest prize went to a musical that mocked both.
“The Book of Mormon” took home nine Tonys on Sunday _ including the prize for best musical _ propelled by a so-offensive-its-funny look at two naive missionaries who arrive in Uganda and find misery, gun-toting warlords, villages infected with HIV and people considering having sex with babies as a cure.
It is as mischievous as Larry Kramer’s “The Normal Heart” is a heartfelt polemic and “War Horse” is charmingly simplistic. The fact that Broadway had room for all three views in the same season says something wonderful about theater in New York.
“War Horse” _ a World War I tale about horses told with puppets and actors _ won five Tonys, including the best play award. The revival of “The Normal Heart” and “Anything Goes” both won three a piece.
Trey Parker and Matt Stone, creators of the Emmy Award-winning “South Park,” found a kindred soul in Robert Lopez, who co-wrote the Tony-winning “Avenue Q,” and all three found themselves with a haul of awards when they collaborated to gently mock Mormons and send-up Broadway itself.
Collecting the best musical prize, a subdued Parker, who tied Josh Logan of “South Pacific” with four Tonys in one evening _ said he’d be remiss if he didn’t thank his late book co-writer _ Joseph Smith, the founder of the Mormon church.
“You did it, Joseph! You got the Tony!” Parker said, looking skyward and holding up his award.
Parker was asked backstage what he and his team will say if they get to heaven and God takes issue with the way they spoofed spiritual matters. “Look at the box office,” Parker replied.
The show, which netted honors for best musical, best book, best direction of a musical for Casey Nicholaw and Parker, best score, best featured actress and four technical awards, came in with a leading 14 nominations and was the heavy favorite for the top musical prize.
“We know what the best musical is _ it’s like taking a hooker to dinner,” comedian Chris Rock joked before reading the nominees and announcing the winner.
Mark Rylance won the best acting award for a play for his powerful role of Johnny “Rooster” Byron in Jez Butterworth’s “Jerusalem.” Just as he did three years ago when he won for “Boeing-Boeing,” Rylance quoted a poem by Louis Jenkins, an obscure poet from Minnesota.
“Unlike flying or astral projection, walking through walls is a totally earth-related craft, but a lot more interesting than pot-making or driftwood lamps,” he said to the bemused crowd. When asked later why he had recited the poem, he said, “I don’t know. I was getting a little bored.”
Norbert Leo Butz won for best actor in a musical. Butz, who plays a frumpy FBI agent hot on the heels of a con man in “Catch Me If You Can” took home his second Tony. His previous win was in 2005 for “Dirty Rotten Scoundrels.”
Sutton Foster won for best actress in a musical and gave a tearful speech. “It doesn’t feel like a job,” she said of the Cole Porter musical “Anything Goes,” which also won best musical revival and earned Kathleen Marshall an award for best choreography.
Frances McDormand was declared the best leading actress in a play for portraying a South Boston blue-collar woman who reconnects with a high school boyfriend in the David Lindsay-Abaire play “Good People.” She wore a denim jacket to the ceremony.
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