The Washington Times

Austrian village made in China

Residents have mixed feelings about a copy of Hallstatt in Guandong province

Its beauty has landed Hallstatt, Austria, on the list of UNESCO World Heritage sites and inspired a Chinese firm to build a lookalike version of the popular tourist destination in China.Its beauty has landed Hallstatt, Austria, on the list of UNESCO World Heritage sites and inspired a Chinese firm to build a lookalike version of the popular tourist destination in China.

HALLSTATT, Austria — It’s a scenic jewel, a hamlet of hill-hugging chalets, elegant church spires and ancient inns all reflected in the deep still waters of an Alpine lake.

Hallstatt’s beauty has earned it a listing as a UNESCO World Heritage site, but some villagers are less happy about a more recent distinction — plans to copy their hamlet in China.

After taking photos and collecting other data on the village while mingling with the tourists, a Chinese firm has started to rebuild much of Hallstatt in faraway Guandong province — a project that residents here see with mixed emotions.

Publicly, Hallstatters say they are proud that their village has caught they eye of Minmetals Land Ltd. the real estate development arm of China Minmetals Corp., China’s largest metals trader.

With most of them dependent on the hundreds of thousands of tourists who overrun Hallstatt’s 900 inhabitants each year, they see the project as good for business.

Monika Wenger, the owner of the Gruener Baum (Green Tree) hotel, shows a drawing by Chinese architects of her hotel in Hallstatt, Austria. After taking photos and collecting other data on the village while mingling with tourists, Chinese architects plan to rebuild Hallstatt in Guandong province.

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Monika Wenger, the owner of the Gruener Baum (Green Tree) hotel, shows ... more >

“We’re happy they find it beautiful enough to copy,” says souvenir store owner Ingrid Janu.

Hallstatt Mayor Alexander Scheutz describes the plan as “a compliment to our village,” while hotel owner Monika Wenger thinks at least some Chinese who have seen the copycat version of Hallstatt will want to visit the original.

But in a deeply traditional part of Austria shielded for centuries from much of the rest of the world by towering mountains and steep valleys, the apparent secrecy surrounding the project also has revived suspicions of outsiders, even though Hallstatt survives only because of the millions of tourist dollars spent here every year.

Although the Chinese developers say construction started in April, Mr. Scheutz and Ms. Wenger say the village knew nothing about the plan to replicate Hallstatt until early this month.

They say a Chinese guest involved in the project and staying at Ms. Wenger’s hotel spilled the beans — apparently inadvertently — showing Ms. Wenger drawings and plans she should have kept to herself of the central market place, Ms. Wenger’s 400-year-old hotel and other landmarks that were mirror images of the originals.

“I saw myself confronted with a fait accompli,” says Mr. Scheutz of his first reaction when he saw the drawings, now collected in a thick folder on his desk containing documents that he says copy much of the town down to the individual boards of scenic wooden balconies.

While he disputes local media accounts citing him as furiously vowing to prevent the Chinese project, he acknowledges being “definitely a bit stunned.”

Ms. Wenger is more outspoken. She says most of the villagers she has talked to are “outraged — not about the fact but the approach.”

“I don’t like the idea of knowing that a team was present here for years measuring and photographing and studying us,” she said, sitting at her hotel’s terrace against the stunning backdrop of Lake Hallstatt, its surface mirroring nearby peaks of granite. “I would have expected them to approach us directly — the whole thing reminds of a bit of Big Brother is watching.

“This house is my personal work of art,” she said of her 400-year-old hotel. “And then someone comes here and copies it — for me, it’s as if a painter copies someone else’s artwork.”

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