- Obama downplays IRS scandal, blames Obamacare rollout on ‘outdated’ agencies
- Pregnancies decline overall, up among older women
- Pentagon plans to destroy Syrian chemical arms on ship at sea
- Paris Metro issues ‘politeness manual’ to improve passengers’ behavior
- Justin Bieber, crew detained at Australian airport in drug search
- Lee Rigby trial: Muslim who machete-hacked soldier calls it ‘humane’ kill
- GM ending Chevy sales in Europe to focus on Opel and Vauxhall
- Putin’s diplomats to U.S. busted for living high life off $1.5M bilked from Medicaid
- Happy Meal: Couple goes to McDonald’s, leaves with bag packed with cash
- Boehner: It took me 3 to 4 hours to sign up for Obamacare
2 very daring musicals lead the Tony Awards race
NEW YORK (AP) - Who says Broadway won’t take a risk? “The Book of Mormon” and “The Scottsboro Boys” _ two very different musicals with very different fates _ have emerged with the most Tony Award nominations this season.
“Mormon,” which induces giggles with its diarrhea jokes and songs about body parts, and “Scottsboro,” a searing look at a racial injustice that featured a graphic whipping, clearly pushed the boundaries of traditional Broadway fare. One paid off, the other did not.
“People are excited when they sit down in those seats because they don’t know what’s going to happen,” said Rory O’Malley, whose turn in “Mormon” earned him a nomination for best featured actor in a musical. “This is dangerous in the best sense.”
That could also sum up the sentiment created by John Kander and Fred Ebb’s “Scottsboro,” based on the real story of nine black teenagers wrongly put on death row in the 1930s for allegedly raping two white girls. It closed abruptly in December after playing just 49 performances and 29 previews.
The musical frames the story as a minstrel show _ that deeply racist storytelling device performed by whites in blackface _ and then immediately subverts it by having an all-black cast. Some performances of the show even drew protesters who claimed the musical was actually embracing the minstrel convention.
“It was a subversive piece, and a piece that was going to push buttons, stir hearts, but we also knew that it was the truth,” said Joshua Henry, who won a best leading actor nomination for playing the lead Scottsboro boy. “I’m just happy that we weren’t forgotten and it does give me faith in daring theater.”
“Mormon,” which received 14 nominations, and “Scottsboro,” which got 12 nods, face competition for the title of best musical from two shows inspired by movies: “Catch Me If You Can” and “Sister Act.” With “Scottsboro” closed, though, the odds are against it winning.
The four nominated plays include the heartwarming human-puppet hybrid “War Horse,” which was a huge hit in London, David Lindsay-Abaire’s blue-collar “Good People,” Jez Butterworth’s vanishing English tale “Jerusalem” and Stephen Adly Guirgis’ searing recovery story “The Motherf–- With the Hat.”
Among individual actors who earned nominations were Al Pacino, who played Shylock in “The Merchant of Venice,” Vanessa Redgrave in “Driving Miss Daisy,” Edie Falco in “The House of Blue Leaves” and Ellen Barkin in “The Normal Heart.”
Overlooked were James Earl Jones in “Driving Miss Daisy,” Daniel Radcliffe in “How to Succeed in Business Without Really Trying,” Ben Stiller in “The House of Blue Leaves” and Aaron Tveit from “Catch Me If You Can.” Kathy Griffin, not surprisingly, did not get a nomination, despite calling her one-woman show “Kathy Griffin Wants a Tony.”
With 14 nominations, “The Book of Mormon” takes its place among Broadway musicals with the most Tony nominations, just below “The Producers” and “Billy Elliot,” which each won 15 nominations.
About two Mormon missionaries who find more than they bargained for in Africa, the musical was written by Trey Parker and Matt Stone, the creators of Comedy Central’s irreverent “South Park,” and Robert Lopez, co-creator of the equally irreverent Tony Award-winning musical “Avenue Q.” All got nominations for the music, book and lyrics. Casey Nicholaw won a best choreography nomination for the show and shared honors with Parker for best direction of a musical.
As for the real Mormons, the church would not add to the comment they first issued when the musical opened: “The production may attempt to entertain audiences for an evening, but the Book of Mormon as a volume of scripture will change people’s lives forever by bringing them closer to Christ.”
The Tony nominations for “The Scottsboro Boys” may give producers an argument to put the work back on Broadway. It had started off-Broadway and critical acclaim paved the way for a Broadway run. Producer Barry Weissler had been seeking support from the theatergoing public to resurrect the show by pledging to buy tickets if it is remounted.
In the best actor in a musical category, Henry faces competition from Norbert Leo Butz in “Catch Me If You Can,” Tony Sheldon from “Priscilla Queen of the Desert” and Josh Gad and Andrew Rannells, both in “The Book of Mormon.”
Why such hatred toward America's freedom of religion?
- 'Hunger Games' delivers Obama's message on income inequality: liberal group
- Inside China: Nuclear submarines capable of widespread attack on U.S.
- Obama returns to class warfare as poll numbers plunge
- Hack attack: 2 million Facebook, Twitter passwords stolen
- U.S. drops 2,000 mice on Guam by parachute to kill snakes
- U.S. pilot scares off Iranians with 'Top Gun'-worthy stunt: 'You really ought to go home'
- Russian diplomats busted bilking $1.5 million from Medicaid
- GOP launches candidate training: How to talk to women
- CARSON: Getting to the top by starting at the bottom
- 84 percent of the world population has faith; a third are Christian
Independent voices from the The Washington Times Communities
Criticism may not be agreeable, but it is necessary. It fulfills the same function as pain in the human body. It calls attention to an unhealthy state of things.
Understanding economic events with a free market explanation
John Wood illustrates a new American politics, and the path to get there.
Interviews and show reviews from the Los Angeles punk scene past and present. Los Angeles has always been rich in punk rock talent since punk rock was born.
White House pets gone wild!