NEW YORK | “The Book of Mormon” nabbed a leading 14 Tony Award nominations Tuesday morning, earning the profane musical one nod short of the record for most nominations and putting it in the driver’s seat when the awards are handed out next month.
An unlikely hit about two Mormon missionaries who find more than they bargained for in Africa, the musical was written by Trey Parker and Matt Stone, the creators of Comedy Central’s irreverent “South Park,” and Robert Lopez, co-creator of the equally irreverent Tony Award-winning musical “Avenue Q.” All got nominations.
“The Book of Mormon” has been a critical and box-office darling even without big-name stars and has tapped into a decidedly un-Broadway vein with songs about AIDS and one man’s loud lament about having maggots in his scrotum.
“This is a brand of humor that very much existed in our culture — on television and films,” said Andrew Rannells, who won a best leading actor in a musical nomination. “It was just not reflected on Broadway. Obviously, there’s a huge audience for this, so why shouldn’t it be a musical?”
On the animated series “South Park,” about a group of potty-mouthed schoolchildren in Colorado, Mr. Parker and Mr. Stone have lampooned everything and everybody from Jesus to Saddam Hussein to Barbra Streisand to Scientology to Tiger Woods to New Jersey. And they’ve mocked the Church of Latter-day Saints on the Comedy Central TV show, too, mostly by showing Mormons as relentlessly cheery.
As for the Mormons, the church issued a statement when the musical first opened: “The production may attempt to entertain audiences for an evening, but the Book of Mormon as a volume of scripture will change people’s lives forever by bringing them closer to Christ.”
The second-highest nominations went to “The Scottsboro Boys,” a searing tale of 1930s injustice framed as a minstrel show. Though it closed abruptly after playing just 49 performances and 29 previews, it received 12 nominations, including best musical, best book of a musical, and best original score, as well as a leading actor and two featured actor nods. It marked the final collaboration of songwriters John Kander and Fred Ebb.
“Mormon” and “Scottsboro” face competition from “Catch Me If You Can” and “Sister Act.” The plays that were nominated include the heartwarming human-puppet hybrid “War Horse,” David Lindsay-Abaire’s “Good People” and Jez Butterworth’s “Jerusalem.”
Among individual actors who earned nominations were Al Pacino, who played Shylock in “The Merchant of Venice,” Vanessa Redgrave in “Driving Miss Daisy,” Edie Falco in “The House of Blue Leaves” and Ellen Barkin in “The Normal Heart.”
“I am deeply honored to have been acknowledged in this way — for theater in New York City. This is a very big thrill for me,” said Miss Falco, who found out she had been nominated while waiting for a book fair to begin at her son’s school.
“I was hoping and praying for this, but you never know for sure,” said Judith Light, who earned a best featured actress nomination for playing the wife of football coach Vince Lombardi in the play “Lombardi.”
“I feel so grateful and blessed to get to do the work that I so love.”
Some notable snubs included James Earl Jones in “Driving Miss Daisy,” Daniel Radcliffe in “How to Succeed in Business Without Really Trying” and Aaron Tveit from “Catch Me If You Can.”
The Cole Porter comedy “Anything Goes” was nominated for nine awards, including best revival, best leading actress for Sutton Foster, a best featured role nomination for Adam Godley, best scenic and costume design.
“I’m very happy. I’m thrilled for our show,” said Kathleen Marshall, who picked up her career sixth and seventh nominations for directing “Anything Goes” and its high-kicking choreography. ” ‘Anything Goes’ is one of those shows that is there to delight and entertain and transport the audience.”