NEW YORK (AP) - New York City’s oldest museum has shed its vault-like exterior for a luminous facade that invites the public to peer in, explore its vast treasures and experience them like never before through loads of new and fun interactive features.
The New-York Historical Society throws open its doors on Friday following a $65 million, three-year renovation.
The venerable institution for the first time also has established a children’s history museum within the building and a restaurant that will stay open after hours _ all with the goal of making the museum a more open and engaging place.
The front stairs have been widened and a wall of glass, visible from the street, has been installed behind an expanded main entrance. Anyone passing by the Central Park West museum can now easily glimpse the artwork in the new 3,400-square-foot front gallery. And two new life-size bronze figures of Abraham Lincoln and Frederick Douglass have been planted in front.
“Now people know that history is the theme of our institution,” said Louise Mirrer, president and CEO of the 207-year- old institution devoted to the story of New York City and how it figures into the country’s broader history.
Platt Byard Dovell White Architects led the building renovation and Lee H. Skolnick Architecture + Design Partnership was responsible for the children’s museum.
When the museum opened at its current site in 1907, “the outlook at the time was you had to protect your treasures from the public,” added Mirrer, explaining that the original architects were known for their design of banks.
With the reconfigured interior spaces, the museum now has 15 percent more of its collection on display.
The first thing visitors will notice is the abundance of large and small interactive and digital screens.
At the “New York Rising” installation about New York’s Federal period, visitors can rotate one of five 46-inch touchscreens to view computer-generated representations of the objects displayed in front of them and access layers of virtual information to enrich their experience and knowledge of the works.
Vertical flat screens, affixed to six columns in the main gallery, highlight the museum’s iconic objects, including Tiffany lamps, board games, Audubon watercolors and Hudson River School paintings.
Elsewhere, visitors can explore New York’s role in American history by swiping, dragging or finger tapping six touchscreen displays mounted alongside key objects.
The technology lets “you make as many or as few discoveries as you want,” said Mirrer.
A “living painting” is among the most unique _ and fun _ new features. It’s a motion-sensitive panel of “Pulling Down the Statue of King George III,” a 19-century painting by Johannes Adam Simon Oertel. As museum visitors walk in front of the life-size reproduction, sections of the work become animated; with the right amount of movement, the statue on the LCD panels can be “pulled down.” The original work is on view on the other side of the gallery.
And lest anyone think the museum is only about old historic artifacts, they need only look up above the admissions desk to see a psychedelic black-and-white piece by Keith Haring. It’s a section of a donated ceiling that once graced the “Pop Shop” that sold Haring’s graffiti-inspired T-shirts and souvenirs after his death in 1990.