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Matt Stone and Trey Parker: Goin’ down to ‘South Park’ again
NEW YORK — By some accounts, the world was created in six days.
As you’re reading this, Mr. Stone, Mr. Parker and the “South Park” team are back from their midseason break in their 15th year and are under the gun. The episode they started from scratch Thursday morning will be finished just hours before it’s delivered to Comedy Central for premiering Wednesday at 10 p.m. EDT.
How do they do it? And why do it that way?
Not long ago, while in New York to bask in the triumph of their smash Broadway musical, “The Book of Mormon,” Mr. Stone and Mr. Parker took a few minutes to look ahead to the seven episodes of “South Park” facing them this fall.
“Comedy Central would love it if we did the shows ahead of time,” Mr. Stone said. “But we just don’t work as well that way.”
“Our best ones,” Mr. Parker said, “are always the ones where we come in on Thursday with nothing, and we come up with something, and we get this energy - ‘Ah, that’s funny! That’s funny!’ - and we roll with it. The other way, we overthink things too much.”
“I like the process of getting really excited about an idea on Thursday or Friday,” Mr. Stone said, “and then there’s a whole drama to the week: We jump into it, then on Saturday we go, ‘Hmmmm. I don’t know about this idea.’ And you start questioning it.”
“But you don’t have a choice,” Mr. Parker interjected.
“You’re trapped!” Mr. Stone agreed.
The process - propelled by sophisticated computer software, endearingly raw animation and an abundance of adrenaline - clearly works. After all these years, “South Park” has lost none of its edge, its scathing truthfulness or aversion to good manners. Nor has it lost the funniness with which it views the world through the eyes of Stan, Kyle, Kenny and Cartman - four bratty, perpetually bundled-up youngsters in an unhinged Colorado cartoon town.
(To see the process for yourself, watch “Six Days to Air: The Making of 'South Park,' ” a one-hour documentary on Comedy Central on Sunday at 10 p.m. EDT.)
A few months ago, “South Park” marked its midseason break in an unsettling way: without the shrewdly heartwarming resolution with which most episodes end. Stan had celebrated his 10th birthday, at which point he was consumed by disgust at everything he had loved as a 9-year-old. His favorite foods, music, games, friends - he saw them all as crap. Literally. Graphically.
His maturing jadedness seemed echoed by the grown-ups in South Park.
“How much longer can we keep doing this?” Stan’s mother asked his dad as they confronted their own lives. “Every week, it’s kind of the same story in a different way, but it just keeps getting more and more ridiculous.”
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