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Expect grunts, shrieks, hoots at US Open
Question of the Day
NEW YORK (AP) - Grunts, shrieks and hoots.
That’s what fans can look forward to next week at the U.S. Open, where earplugs will be optional while watching some of the world’s top players.
On the women’s side, the high-pitched shrieks get the most attention. The WTA in June announced plans to educate young players and coaches to keep the decibels down. There’s also been talk about chair umpires using a hand-held “grunt-o-meter” _ not unlike a radar gun on serves.
Opponents say it’s unfair because the noisemakers make it hard to hear when a ball hits the racket, which helps in timing a return. Players also can be penalized under the hindrance rule, if the chair umpires believe it’s deliberate and creates an advantage.
Tennis fans have the option of turning down the volume on their TVs or, if watching in person, getting radio headsets.
Here’s a look at offenders past and present, the hindrance rule and how to tame the grunters.
Top-ranked Victoria Azarenka hoots with nearly every point, using an “AH-OOOOOH” sound that extends well past the point of contact with the ball. Maria Sharapova employs a high-octave shriek that reaches aria heights late in tight matches. The Williams sisters’ decibel levels tend to rise with important points. On the men’s side, Novak Djokovic and Rafa Nadal grunt with their groundstrokes, but as Billie Jean King points out, “It’s a lower grunt. Everyone seems to be OK with that. It’s the pitch of the grunt that bothers (fans).” Among the quietest players? Effortless Roger Federer.
Teenager Monica Seles took the modern grunt to new levels in the early 1990s, using two-note “AH-HEEE” shrieks to accompany her two-handed shots on both wings. Her memoir noted she started tennis at age 6 and grunted from Day 1 because she was so small and wanted to put every ounce of energy into the ball. The grunt sounded like a martial arts move and apparently worked for Seles, who reached No. 1 at 17 and won eight majors by 19. In 1992, Wimbledon officials asked her to quiet down after Martina Navratilova complained she couldn’t hear the ball hit the racket. Seles followed in the guttural footsteps of Jimmy Connors, who provided yells and fist pumps during his spectacular run to the semifinals of the 1991 U.S. Open at age 39.
ISSUE FOR FANS, MEDIA OR PLAYERS?
It’s not particularly player-driven, with few complaints over the years to chair umpires. Chris Evert calls the cacophony annoying, but believes the criticism is more fan- and media-driven. Former No. 1 Caroline Wozniacki has said some players “do it on purpose.” Agnes Radwanska considered the grunts too loud at this year’s Australian Open, where the crowd started imitating Azarenka’s hoots. When Azarenka and Sharapova faced off for the title Down Under, local papers called it the “Scream Queen Final.” Fans also echoed Sharapova’s grunts when she hit the ball during a 2008 Fed Cup match in Israel.
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