- Michigan man among first in U.S. to get ‘bionic eye’
- JetBlue pilots vote to unionize; 2 previous attempts failed
- Pentagon plans to replace flight crews with ‘full-time’ robots
- Navy’s military dolphins may meet Putin’s porpoises in Black Sea
- Forget the Porsche — it’s the guy with the Prius that attracts the ladies, poll shows
- Fired Russian Facebook CEO says site has fallen in the hands of pro-Putin supporters
- Sen. Boozman of Arkansas has emergency heart surgery
- Brazil embraces drones to save the Amazon rain forest
- Teen stowaway shows holes in vast airport security
- Supreme Court to decide if passports can say ‘Jerusalem, Israel’
Oscar gold fails to translate to cash this time
“We still have a movie out there that’s in release, and we want to get people to see it,” `’Descendants” producer Jim Burke said on nominations morning. “Frankly, these nominations help in that cause. We make what we call human films, and it requires word of mouth and people telling others to see it and critical response and audience reaction. It all helps. It all helps a lot.”
The silent film “The Artist,” which has 10 nominations and is favored to win best picture, would be one of the lowest-grossing winners ever, with $28.1 million through last weekend. The Oscar attention certainly has helped, though. A bit more than half of its box-office cash has come in since the nominations.
Martin Scorsese’s Paris adventure “Hugo,” which leads with 11 nominations, has had a so-so commercial run, padding its domestic dollars to $67.3 million, up $11.4 million since nominations day. Yet it has a timeless appeal that could keep it alive on video for the long haul.
“It seems to be a picture that plays to the entire family and plays for different ages,” Scorsese said. “It might have a life more than a year or two. Maybe in the future people will still see it and get more out of it as they grow older.”
That’s a key purpose of the Oscars _ calling attention to films that deserve to live on for years to come, rather than those that put up big numbers over opening weekend.
Oscar attention can make all the difference for tiny films such as the Irish drama “Albert Nobbs,” which went into general release the weekend after the nominations and has pulled in $2.4 million since, largely on the strength of acting honors for Glenn Close and Janet McTeer.
“We did this little film for love and almost no money, and now we’re here walking up red carpets,” McTeer said. “It means that more people are likely to see the film. When you’ve done a film for the love of the beast, it’s very, very exciting. It’s wonderful that more people might go and see it. That’s why we do it, isn’t it?”
Associated Press Entertainment Writers Derrik J. Lang and Anthony McCartney contributed to this report.
TWT Video Picks
Feds who send arms against ranch families betray American values
- CARSON: When government looks more like foe than friend
- Nevada rancher Cliven Bundy hailed as patriot, renegade
- Tactical advantage: Russian military shows off impressive new gear
- IRS revokes conservative group's tax-exempt status over anti-Clinton statements: report
- America is an oligarchy, not a democracy or republic, university study finds
- ORTEL: Putin sees opportunities as Obama turns away
- Inside China: Marine's comment on islands draws sharp Chinese response
- Supreme Court upholds Michigan affirmative action ban
- Michelle Obama: Obama family Sundays are more for napping than church
- Bonuses given to IRS employes who owed back taxes
Top 10 handguns in the U.S.