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Dickens seen as a man of today 200 years later
Question of the Day
LONDON — He wrote about life in the modern city, with its lawyers and criminals, bankers and urchins, dreamers and clerks. He created characters still known to millions — Ebenezer Scrooge and Tiny Tim, Pip and Miss Havisham, Fagin and Oliver Twist. And it made him a star, mobbed by fans on both sides of the Atlantic.
“You only have to look around our society and everything he wrote about in the 1840s is still relevant,” said Dickens biographer, Claire Tomalin. “The great gulf between the rich and poor, corrupt financiers, corrupt Members of Parliament. … You name it, he said it.”
Prince Charles and his wife Camilla, Duchess of Cornwall, joined Archbishop of Canterbury Rowan Williams, actor Ralph Fiennes, a host of dignitaries and scores of Dickens‘ descendants at a memorial service Tuesday in London’s Westminster Abbey.
A simultaneous event was held in Portsmouth, southern England, where Dickens was born, the son of a navy pay clerk, on Feb. 7, 1812. In a message read out there, Prince Charles called Dickens “one of the greatest writers of the English language, who used his creative genius to campaign passionately for social justice.”
In London, the heir to the throne laid a wreath of white roses and snowdrops on the writer’s grave in Poets’ Corner — resting place of national literary icons — and two of Dickens‘ youngest descendants added a pair of small white posies.
Historian Judith Flanders, who attended the service, said it was “enormously moving” — and Dickens would have hated it.
“He wanted to be buried and die as a private man. He wanted his books to stand as his monument.”
He got his wish. Dickens‘ novels and characters are more popular than ever.
The Royal Mail has just issued two new stamps featuring Dickens characters. Right now in Britain viewers can catch up with new television adaptations of “Great Expectations” and “The Mystery of Edwin Drood,” go to an exhibition about Dickens at the Museum of London or visit a theme park called Dickens World. A new film version of “Great Expectations,” starring Mr. Fiennes and Helena Bonham Carter, is due later this year.
“The quality of the writing is part of why we still relate to him today,” said Jo Robinson, a graduate student at King’s College London who is researching Dickens. “He’s an incredibly vivid writer. He has such an array of characters and there’s so much to get out of him. … Each generation sees it in their own way.”
Part of Dickens‘ staying power stems from his incredible productivity. An insomniac who often roamed London’s streets by night, he wrote more than 20 books, had 10 children, traveled the world on lecture tours and campaigned for social change until his death from a stroke in 1870 at the age of 58.
“He believed he knew London better than any person alive, because he spent so much time walking the streets,” said Alex Werner, curator of the exhibition “Dickens and London,” running at the Museum of London until June.
Those early experiences were reflected in his novels. Dickens exposed the cruelty of workhouses in “Oliver Twist,” the harshness of child labor in “David Copperfield,” the chasm between the rich and the poor in “A Christmas Carol” and the brutality of the legal system in “Bleak House.”
He also was one of the first writers to depict the modern industrial city — a place where millions of us still live.
Many features of his world are still familiar. The 19th century was an era of fast-paced technological change, and Dickens embraced it. He traveled Britain on newly invented steam trains — though he hated the juddering journeys — and crossed the Atlantic in 1842 on one of the first steamships.
He was also a commercially astute writer. His books were published in monthly installments, in an inexpensive magazine-style format interspersed with ads for everything from “Alpaca Umbrellas” to “the gentleman’s real head of hair.”
“It feels very modern,” Mr. Werner said. “A bit like TV soaps — you have to get through the adverts.”
Mr. Werner said he thinks that if Dickens were alive today he’d write for television — he always wanted to reach the widest possible audience.
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