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Censored Chinese artist’s photos coming to NYC
Question of the Day
NEW YORK (AP) - Liu Xia is a forbidden artist whose work is censored in her native China. The photographer, who is under house arrest, uses life-like dolls as metaphors for the pain and suffering of the Chinese people.
“This is not about politics first. It’s about art first. Her husband is his own story. She is a major Chinese artist who happens to be the wife of Liu Xiaobo,” Sorman said in a telephone interview from Paris.
When Sorman last saw Liu in September 2010, she gave her consent to have the pictures shown in Europe and the United States. But to avoid suspicion, a network of her friends helped get them out of the country “one by one,” he said. “It was a long process.”
A museum in Boulogne outside of Paris exhibited them in the fall.
“The Silent Strength of Liu Xia” at Columbia runs through March 1 and is the only planned U.S. show. Afterward, it will travel to Madrid and Hong Kong.
Sorman discovered the photos by accident while visiting the couple’s Beijing home. He immediately began convincing the “very, very shy” Liu, who is in her 50s, to let him exhibit them. She declined at first because she thought they were not important.
Because of her home confinement, she is unaware of the New York exhibition opening Thursday. “The only way to communicate with her is through her mother,” who also lives in Beijing, said Sorman.
“In a way her condition is worse than her husband’s. He’s in jail, where strangely enough you have a telephone, you have a television. She has none of these rights,” he said.
In her country, Liu is better known for her poetry, which was published in the 1980s.
“Then she disappeared. She decided to vanish behind her husband and started painting and photographing _ but for herself,” said Sorman.
The black and white photos _ most measuring 3-feet by 3-feet _ are taken with an old-fashion camera and printed with very limited technical resources.
The “ugly babies” pictures, as she calls them, represent the Chinese people and their facial “expressions reflect their pain,” said Sorman, a columnist and author in economics and philosophy.
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