- Gentlemen, start your drones: Judge’s ruling opens door for commercial use
- Soldier who hid, bragged about not saluting flag to be punished — in secret
- ‘Maverick’ of the seas: ‘Top Gun’ school for U.S. ship officers to launch
- Putin declares Sochi Paralympics open amid Ukrainian protest
- ‘In Jesus name, we pray’ sparks ire at Ohio council meeting
- Navy’s first laser weapon ready for prime time; drone killer to deploy this summer
- Billionaire backer: Rick Santorum ‘needs to be heard’ in 2016
- Obamacare fallout: 49 percent pessimistic; 45 percent ‘scared’
- DHS accused of holding U.S. citizen at airport, using emails to pry into her sex life
- Seattle socialist: Minimum-wage discussion skewed by ‘right-wing’ GAO analysis
Review: Musical life only gets better for Nas AP Photo NYET195 %reldate(2012-07-16T11:52:12 (Eds: Wi
On the cover of his 10th album, “Life Is Good,” the urban troubadour known as Nas is dressed in a white suit, glumly holding his ex-wife Kelis‘ green wedding dress - the only thing left behind after the couple’s publicly acrimonious divorce. By way of his art, Nas both washes his laundry in public and shows he has moved on.
Producers No I.D. and Salaam Remi give this very personal record an aura of nostalgia, a throwback to the golden age of hip-hop, by using classic beats. Collaborations with artist like Mary J. Blige, Rick Ross and Swizz Beatz and Nas’ solos arrange themselves into a coherent necklace made of discreet gems. Old mixes with new, noir enters the flow and the lyrics are tinged with both vulnerability and brutality.
Nas is the same master wordsmith as he was when he first bowled over critics with his 1994 debut “Illmatic.” He tackles thug life, chrematistics and the pursuit of status, yet shows signs of growth by considering more personal topics like parenthood, love and his relationship with his celebrity.
Songs like “Daughters,” where he raps about his own real-life parenting struggles with his teenage daughter or “Bye Baby,” where he addresses the breakdown of his marriage and his subsequent bleeding heart, show a touching self-awareness. “Cherry Wine” featuring the late Amy Winehouse paints him in a surprising light where he is unshackled by the stereotypical rap views of women. Nas manages to make a clean break with the past by submersing himself and us in it.
CHECK OUT THIS TRACK: “You Wouldn’t Understand,” with its fast beat enhanced by Victoria Monet’s crystalline voice.
© Copyright 2014 The Washington Times, LLC. Click here for reprint permission.
TWT Video Picks
Taxpayers must pay the freight for over-budget train projects
- Kim Jong-un calls for execution of 33 Christians
- Rand Paul wins 2014 CPAC straw poll, Ted Cruz finishes a distant second
- Bill Clinton cashes in on struggling nonprofit hospital
- EDITORIAL: As jobs vanish, Obama wants more of same
- Stolen European passports on Malaysian Airlines Boeing 777
- Obama engages in Ukraine diplomacy from Fla. resort as Russia digs in
- U.S. pilot scares off Iranians with 'Top Gun'-worthy stunt: 'You really ought to go home'
- PRUDEN: Likening Putin to Hitler on Ukraine shows Hillary's shaky grasp of history
- Bill Clinton poses for photo with Bunny Ranch prostitutes
- Russias Putin nominated for Nobel Peace Prize
Pope Francis meets his 'mini-me'
Celebrity deaths in 2014
Winter storm hits states — again