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Sherman Hemsley of TV’s “The Jeffersons” dies
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EL PASO, TEXAS (AP) - Sherman Hemsley, the actor who made the irascible, bigoted George Jefferson of “The Jeffersons” one of television’s most memorable characters and a symbol for urban upward mobility, has died. He was 74.
Police in El Paso, Texas, said late Tuesday that Hemsley was found dead at a local home where neighbors said he’d lived for years. A statement from police said no foul play is suspected and that the exact cause of death is pending.
The Philadelphia-born Hemsley first played the blustering black Harlem businessman on CBS’s “All in the Family” before he was spun off onto “The Jeffersons,” which in 11 seasons from 1975 to 1985 became one of TV’s most successful sitcoms _ particularly noteworthy with its mostly black cast.
With the gospel-style theme song of “Movin’ On Up,” the hit show depicted the wealthy former neighbors of Archie and Edith Bunker in Queens as they made their way on New York’s Upper East Side. Hemsley and the Jeffersons (Isabel Sanford played his wife) often dealt with contemporary issues of racism, but more frequently reveled in the sitcom archetype of a short-tempered, opinionated patriarch trying, often unsuccessfully to control his family.
Hemsley’s feisty, diminutive father with an exaggerated strut was a kind of black corollary to Archie Bunker _ a stubborn, high-strung man who had a deep dislike for whites (his favorite word for them was honkies). Yet unlike the blue-collar Bunker, played by Carroll O’Connor, he was a successful businessman whose was as rich as he was crass. His wife, Weezie, was often his foil _ yet provided plenty of zingers as well.
Despite the character’s many faults _ money-driven, prejudiced, temperamental, a boor _ Hemsley managed to make the character endearing, part of the reason it stayed on the air for so long. Much like O’Connor’s portrayal of Archie Bunker, deep down, Hemsley’s Jefferson loved his family, his friends (even the ones he relentlessly teased) and had a good heart. His performance was Emmy and Golden Globe nominated.
“He was a love of a guy” and “immensely talented,” Norman Lear, producer of “The Jeffersons” and “All in the Family,” said after learning of his death.
“When the Jeffersons moved in next door to the Bunkers, I wanted to deliver the George Jefferson who could stand up to Archie Bunker,” Lear recalled Tuesday. “It took some weeks before I remembered having seen Sherman in `Purlie’ on Broadway.”
Hemsley read for the part and “the minute he opened his mouth he was George Jefferson,” Lear said. Hemsley was smaller than O’Connor’s Archie but “he was every bit as strong as Archie,” Lear said.
Sherman Alexander Hemsley, though, was far less feisty. The son of a printing press-working father and a factory-working mother, Hemsley served in the Air Force and worked for eight years as a clerk for the Postal Service.
Having studied acting as an adolescent at the Philadelphia Academy of Dramatic Arts, he began acting in New York workshops and theater companies, including the Negro Ensemble Company. For years, he kept his job at the post office while acting at night, before transitioning to acting full-time.
He made his Broadway debut in 1970’s “Purlie,” a musical adaptation of Ossie Davis’ Jim Crow-era play “Purlie Victorious.” (Hemsley would later star in a 1981 made-for-TV version of “Purlie,” as well.) It was while touring the show that Hemsley was approached by Lear about playing a character on the sitcom that would become “All in the Family.”
Hemsley joined the show in 1973, immediately catapulting himself from an obscure theater actor to a hit character on the enormously popular show. Two years later, “The Jeffersons” was spun off. Among the numerous “All in the Family” spin-offs (“Maude,” “Archie Bunker’s Place, “704 Hauser”), “The Jeffersons” was the longest-running.
The character, the owner of a chain of dry-cleaning stores, was devised, Hemsley said, as “pompous and feisty.”
“All of it was really hard … because _ rude, I don’t like to be that way,” Hemsley said in a 2003 interview for the Archive of American Television. “But it was the character, I had to do it. I had to be true to the character. If I was to pull back something, then it just wouldn’t work.”
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