As book thrives, Carole King closing book on music

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NEW YORK (AP) - The voice behind dozens of standards like “It’s Too Late,” “You’ve Got a Friend” and “(You Make Me Feel Like) A Natural Woman” says her music-making days are likely over.

Carole King, now a best-selling author, doubts she will ever write another song and suggested that her 2010 “Troubadours Reunion” concert tour with James Taylor would be her last: “It was a good way to go out.”

King composed dozens of 1960s hits with then-husband Gerry Goffin before emerging as a recording artist in her own right. Her 25 million-selling “Tapestry” launched the singer-songwriter era in 1971 and became the first real blockbuster album. She spoke recently as two new projects offer fresh reminders of her legacy _ the memoir “A Natural Woman” and a new disc that gathers “demo” recordings of some of her best-known songs that were made to sell the compositions to other artists.

It’s intriguing to hear King’s first take on the songs that became known through others, like “Pleasant Valley Sunday” (the Monkees), “Crying in the Rain” (Everly Brothers), “Take Good Care of My Baby” (Bobby Vee) and “You’ve Got a Friend” (James Taylor). The wiser artists didn’t fiddle much with her arrangements.

That’s only a sampling, because King’s pre-“Tapestry” hits also included “Up on the Roof” (Drifters), “Loco-Motion” (Little Eva), “Will You Love Me Tomorrow (Shirelles), “One Fine Day” (Chiffons) and “Chains” (Cookies, later covered by the Beatles).

She hasn’t released an album of new compositions since 2001, and on her website’s exhaustive list of songs she has written, the most recent are two from 2004.

“At this point I can look back at my life and career as a songwriter and say I’ve done everything I really wanted to do,” King said.

She’s not naive. She knows popular culture has long since moved elsewhere. As a teenage music prodigy she knew what young people were thinking about and wanted to hear in music, and she’s not there anymore.

“I suppose if I had a reason to, if someone said I want you to write a song for this movie, I could sit down and do that,” she said. “But to just write songs and to throw them out into the marketplace, I don’t think this is my time to do that.”

The decision to shut it down or keep creating is one that many members of an older musical generation face. Billy Joel announced in the early 1990s that he was through writing pop songs, and has stuck to that. But Bob Dylan has kept writing and releasing new music. Both surviving members of the Beatles, Paul McCartney and Ringo Starr, keep turning out new projects. The Beach Boys have an unlikely reunion with a new album as well.

Neil Sedaka, who grew up in the same New York City song publishing houses as King, was wistful when told her old friend was no longer writing.

“When you’ve written so many great ones like Carole King it’s difficult to top yourself,” the veteran singer said. “You have to keep reinventing, and she’s certainly one of the great pop writers of the last 50 years. It becomes a great challenge. People really want to hear her in concert doing those wonderful songs that they know.”

Those chances may be limited, too. King did a fair amount of touring during the past decade, but it took its toll. “I’m 70,” she said. “It would be lovely to retire.”

“The Legendary Demos,” a title that embarrasses her, was a project of her daughter and manager, Sherry Kondor.

“I supported it. But I had very little hand in it. I didn’t pick the songs. I saw the cover and said, `Yeah, that’s a nice picture,” King said.

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