- Associated Press - Wednesday, October 17, 2012

In an earlier era, the 9.2 million viewers who watched NBC’s “Revolution” in its regular time slot during television’s premiere week wouldn’t impress many television executives.

Now that number is only part of the story. Add in people who saw the show on DVR playback within the following seven days — numbers released by the Nielsen company on Monday — and the drama about a suddenly electricity-free world was seen by 14.2 million people. That estimate also includes only a handful of the people who ordered the episode through an on-demand service or saw it online.

People aren’t watching television the way they used to, a transition that has accelerated markedly this fall, making it much harder to judge whether a show is successful.

“It’s quite stunning,” said Andy Durwitz, ABC’s chief scheduling executive. “We’re seeing all of the audience becoming much more sophisticated with the DVR and making their own schedules.”

During the first two weeks of the season, digital-video-recorder usage is up 30 percent over last season, said David F. Poltrack, top research executive at CBS. That may settle down, he said. Clearly, the DVR has become an essential tool for people interested in sampling many of the new series that come with a fall season, he said.

NBC’s “Revolution,” starring JD Pardo, drew 9.2 million viewers Oct. 2, but ... more >

Now, when the overnight ratings come in, Mr. Poltrack cautions, “you can’t read anything from them.”

That’s not entirely true. You usually can smell a hit pretty quickly, and the same is true of a dog. It’s all those shows in between that are more of a mystery.

For the networks, that should teach patience. With extra data to sift through, it may take executives more time to cancel series (only one, CBS‘ “Made in Jersey,” has bit the dust so far this season) and decide whether to extend their initial episode orders, generally the first sign a new show has a real future.

Some things about “Revolution” made NBC executives suspect it may get a big boost from DVRs, said Jeff Bader, NBC’s top scheduling executive. It appeals to men and science-fiction fans, both relatively big DVR users. It’s also new; given a choice between shows to watch live or later, a viewer most likely will focus on a familiar series first, he said.

Shows on ABC and CBS have increased their audiences by an average of 20 percent when adding in those who watched on tape within a week, said Nielsen, which measures TV audiences. Fox is up 18 percent and NBC 15 percent. The shifts are even more noticeable among younger viewers: ABC’s audience within the 18-to-49-year-old demographic increased by 32 percent and CBS‘ by 29 percent, Nielsen said.

The live audience for the Emmy-winning comedy “Modern Family” was 14.44 million on premiere week. The audience increased to 18.85 million with taped viewing factored in, Nielsen said. ABC’s “Castle” increased its audience from 10.47 million to 13.84 million. Fox’s “Glee” jumped from 5.18 million to 7.68 million.

The week’s most time-shifted shows were shown on cable. FX’s episode of “Sons of Anarchy,” for example, was seen live by 2.5 million people, but its viewership jumped to nearly 6 million with DVR figures added in, Nielsen said.

Live or sports programming is the least affected by DVR usage. For example, NBC’s Sunday night football had a live audience of 22.76 million, only rising to 22.82 million with DVR added in.

Sometimes there is little science in predicting DVR success beyond popularity. CBS‘ “NCIS,” usually TV’s most-watched scripted series, had 20.48 million live viewers for its season premiere, increasing to 24.13 million with DVR usage added in. The troubled comedy “Partners” had a small audience live (6.55 million) and didn’t add much (7.25 million after seven days).

“The environment this year is quite different from the environment last year, which is quite different from the year before,” Mr. Poltrack said. “Every year when we go into the first two weeks, the whole world has changed.”

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