Taking Names: Smithsonian to exhibit items donated by Charley Pride

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Growing up the son of sharecroppers in Mississippi, Charley Pride developed a love of country music that propelled him into a legendary career as one of its biggest stars.

Now, items donated by Mr. Pride from throughout his life will become part of the Smithsonian’s upcoming National Museum of African American History and Culture, set to open in 2015. A gala reception was to be held Wednesday in Mr. Pride’s hometown of Dallas to celebrate the museum gift, which includes a pair of Mr. Pride’s boots, one of his guitars and his Country Music Association male vocalist of the year award from 1971.

“Obviously, the one thing that stands out to people is that Charley Pride was country music’s first black superstar. But what he was trying to do was play the music that he liked and entertain his audiences,” said Dwan Reece, the museum’s curator of music and performing arts. “His links to country music are just as natural as Loretta Lynn’s. This is his childhood. This is the music that he knows.”

Mr. Pride said that while it was difficult to part with some of the items, it’s nice to know they will be in the museum where he can always visit.

As the museum began acquiring its collection of items documenting African-American life, art, history and culture, Ms. Reece said there was “no question” that Mr. Pride’s was an important story to tell.

“One of the things we want to express in the exhibit is that African-Americans have a history in all kinds of music,” Ms. Reece said. “I’m not sure everybody would expect us to have a section on country music.”

Once the museum opens, items from Mr. Pride’s life will join a collection that also will represent music artists including Louis Armstrong, James Brown, Ella Fitzgerald, Lena Horne and Michael Jackson.

Mr. Pride, who at 78 is still touring and heads to Ireland this month and the United Kingdom next month, said he never had trouble from audiences over his race. “I never had one iota of hoot calls from the audience,” Mr. Pride said.

However, he did recall a 1966 performance when a crowd of 10,000 at Detroit’s Olympia Stadium — the biggest audience of his career at that point — grew quiet upon seeing that the fledgling country singer was black.

“I said, ‘You know, I realize it’s a little unique me coming out here on a country music show wearing this permanent tan.’ When I said that there was this big old applause — saying exactly what they were thinking,” Mr. Pride said.

He told the crowd he would play his three singles and maybe a hit from another singer, but that “I ain’t got time to talk about pigmentation all night.”

After the show, fans lined up to get his autograph. “That’s the way it’s been for the last 40 some years,” he said.

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