Yet there’s no place she would rather be than at the Toronto International Film Festival alongside her colleagues for the adaptation of Jack Kerouac’s 1950s Beat Generation novel, “On the Road.”
Stewart said she never thought about skipping the festival, where the film played ahead of its U.S. theatrical release in December.
“We have been waiting for this thing to be unleashed for so long. It was sort of one of those situations where you just have to put yourself in your body and go appreciate the moment,” Stewart said in an interview Saturday.
Recalling the film’s world premiere at May’s Cannes Film Festival, Stewart said, “I would have been happy standing at Cannes with the entire theater booing it as long as I was in that row with my cast and with Walter. We would have been fine. I feel so strong with these people, and it’s so appropriate. I belonged there.”
The Toronto premiere of “On the Road” on Thursday was Stewart’s first public appearance since, and she was greeted by hundreds of “Twilight” fans who came out to show support for the 22-year-old actress.
“You expect a lot of people at a `Twilight’ premiere, but showing up at an `On the Road’ Toronto film festival screening and seeing that amount of people is absolutely, disarmingly amazing,” Stewart said. “It felt pretty cool.”
“On the Road” has been on Hollywood’s to-do list for decades, but previous attempts to adapt it for film always fell through.
Salles (“Central Station,” “The Motorcycle Diaries”) spent years developing the film, which stars Hedlund as beat generation free spirit Dean Moriarty, inspired by Kerouac’s friend Neal Cassady, and Sam Riley as the author’s alter-ego, Sal Paradise.
The novel was a consciousness-raising experience for Stewart when she first read it as a high school freshman.
“Marylou and Dean are the type of people that I was inspired by. Initially, at 15 reading the book, going, God, these are the sort of people I’ve got to find. The mad ones,” Stewart said. “And I am so not one of them, but maybe I could be. …
“The great thing about `On the Road’ is that it really can crack open your shell, and I definitely realized things about myself that I didn’t realize before. That I can let my face hang out and not be too aware of it, and stop questioning myself and not be afraid of strangers, and stop being judgmental.”View Entire Story
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