- Associated Press - Wednesday, January 16, 2013

LOS ANGELES — A few weeks ago, “Zero Dark Thirty” seemed well on its way to capturing the Academy Award for best picture. It was winning early critic awards and gaining the kind of momentum a movie needs to win Hollywood’s biggest prize.

Much was made about the authenticity of the film by director Kathryn Bigelow and screenwriter Mark Boal, who used insider access to tell the sweeping, meticulously detailed story of the decade-long search for Osama bin Laden.

Then last week, “Zero Dark Thirty” won five Academy Award nominations, including for best picture, and this past weekend, it was No. 1 at the domestic box office with a gross of nearly $25 million.

Yet what may be the film’s biggest challenge in the pursuit of Oscar glory is playing out from Hollywood to Washington as debate mounts over the film’s accuracy in its depiction of what some regard as torture and whether the movie itself endorses the use of torture.

Lawmakers are also investigating whether the CIA gave Ms. Bigelow and Mr. Boal false information as to whether enhanced-interrogation tactics led directly to the 2011 capture and killing of the al Qaeda leader in Pakistan.

"Zero Dark Thirty" director Kathryn Bigelow, much-heralded for "The Hurt Locker," has fallen from favor among some in the Hollywood community for her new film's nonjudgmental take on what they regard as "torture." (Columbia Pictures)
“Zero Dark Thirty” director Kathryn Bigelow, much-heralded for “The Hurt Locker,” has ... more >

The Academy of Motion Picture Arts and Sciences failed to nominate Ms. Bigelow for director, and on Sunday night, “Zero Dark Thirty” received only one Golden Globe award from the Hollywood Foreign Press Association — for best actress Jessica Chastain’s portrayal of a driven CIA operative.

Could congressional scrutiny over such an emotionally charged issue as alleged torture be affecting the film’s awards momentum? Will the bicoastal backlash ultimately prevent the film from winning the best picture award when the Oscars are presented on Feb. 24? Could the dispute also have a bearing on other top honors to be given in the weeks ahead by producers, writers and directors’ guilds?

Among those raising questions about the film are Sens. Dianne Feinstein, California Democrat, and John McCain, Arizona Republican, who wrote a letter to the CIA’s acting director, Michael J. Morell, asking him to share documents showing what the filmmakers were told. The fact that the subject of alleged torture is so fresh and relevant in this country also complicates matters for the film.

At least one member of the motion picture academy, David Clennon, has said he will not vote for “Zero Dark Thirty” in any category because of the way it depicts alleged torture.

Fighting back after days of silence, Ms. Bigelow responded to the criticism in an article for The Los Angeles Times on Wednesday, in which she said torture was an undeniable part of the hunt for bin Laden.

“Experts disagree sharply on the facts and particulars of the intelligence hunt, and doubtlessly that debate will continue,” Ms. Bigelow wrote. “As for what I personally believe, which has been the subject of inquiries, accusations and speculation, I think Osama bin Laden was found due to ingenious detective work,” she continued. “Torture was, however, as we all know, employed in the early years of the hunt. That doesn’t mean it was the key to finding bin Laden. It means it is a part of the story we couldn’t ignore.”

Amy Pascal, the co-chairman of Sony Pictures Entertainment, which distributed the film, has issued her own lengthy statement in support of the film, saying it does not advocate torture and would have been inaccurate without its inclusion.

“This film should be judged free of partisanship. To punish an artist’s right of expression is abhorrent,” she said.

But Oscar historian Tom O’Neil thinks punishment is exactly what’s happening here.

Kathryn Bigelow paid a price for giving torture such a starring role in this movie,” said Mr. O’Neil. Previous films based on real-life stories like “The Hurricane” and “Mississippi Burning,” which looked like serious awards contenders when they came out, took hits as disparities arose between what’s on screen and what’s the truth, Mr. O’Neil noted.

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