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BC-US—Theater-Being the Beatles,981<\n>Beatles tribute band comes together on Broadway<\n>AP Photo
“We have very important jobs because these people will never get to see the Beatles. This is the closest they’ll come, so the representation has to be pretty accurate. It’s a big responsibility,” says Fox. “It’s everyone’s musical Bible, isn’t it?”
They’re helping quench an unquenchable thirst for Beatles music that stretches from the Las Vegas home of the Cirque du Soleil show “Love” to fake Beatles bands crisscrossing the nation prompting complaints they’re just doing glorified karaoke.
Both men, part of a 10-man contingent cast for Broadway, are singer-songwriters in their 30s with a background in theater who originated their iconic roles in London, even if the program or show never actually identifies them as George, John, Paul or Ringo. Each can sing and play piano, guitar and bass.
“What you have to be good at is being able to replicate what they did,” says Gershon, who performs as Frank Sinatra and Dean Martin for birthday celebrations and weddings and has played Buddy Holly in the musical “Buddy” in the West End. “It never ends. There’s always more you can do.”
The producers of “Let It Be” are being sued for copyright infringement by the Rain Corp., which produces the rival touring show “Rain: A Tribute to the Beatles.” The Rain Corp. claims it laid the foundation for the new production as a “joint author” but hasn’t been compensated or credited.
In its lawsuit, the Rain Corp., which brought its show to Broadway in 2010, claims it taught the new group the ropes the dialogue, the look of the show, staging, the song list and even the blocking.
Fox and Gershon acknowledge meeting and working with Rain Corp. veterans for their show but insist their work stands on its own. “Anybody that imitates the Beatles in some respects is doing a similar thing,” says Fox.
The two are scrambling to finish their work “I Am the Walrus” and “Penny Lane” still must be placed in the lineup and are worrying about that, not the lawsuit. “It will affect us if it makes the show close and we’re out of work,” says Gershon, somewhat grimly.
Neither show has the rights to tell a behind-the-scenes band story. What they’ve done is licensed Lennon-McCartney songs augmented by no more than two George Harrison tunes per show from Sony/ATV, the Beatles’ publishing company. They play their set of songs chronologically.
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