- GOP hopes taking shutdown off the table with budget deal will pay dividends
- Chinese Death Star: The moon cited as the perfect launch pad for ballistic missiles
- Help wanted: Homeland Security plagued by vacancies at the top
- We are not amused: Queen’s protection officers warned to keep ‘sticky fingers’ off the royal cashews
- Unleash the crossbows: Gov. Scott Walker creates new hunting season
- Bubonic plague kills 20 in Madagascar
- G-20 diplomats fell for hacker attack promising nude photos of former French first lady Carla Bruni
- Minnesota guardsman charged with stealing private soldier data for fake IDs
- Florida appeals court rules universities can’t regulate guns
- Vladimir Putin defends Russian conservative values
Disney, Sam Raimi gamble on return trip to Oz
LOS ANGELES (AP) - Returning to the mystical land of “The Wizard of Oz” took more than 70 years and several hundred millions dollars.
Disney releases its highly anticipated prequel to the 1939 movie classic on Friday. Directed by Sam Raimi, “Oz the Great and Powerful” explores the origins of the wizard (James Franco) and the witches (Mila Kunis, Michelle Williams and Rachel Weisz) in a three-dimensional Oz.
The $200 million production, not counting another $100 million in estimated marketing costs, is a huge gamble for everyone involved, considering “The Wizard of Oz” is among the most enduring and beloved films of all time. Even Raimi, director of the first three “Spider-Man” movies, described the project as “daunting.”
The risk is compounded by a general box-office slump and a poor showing for last weekend’s $200 million big-screen take on another popular tale, “Jack the Giant Slayer,” based on “Jack and the Beanstalk.”
“The plus side is that there’s such incredible awareness of `The Wizard of Oz’ that it’s going to translate into a mammoth opening weekend for `Oz the Great and Powerful,’” said Dave Karger, chief correspondent for Fandango.com. “The danger is that many people’s natural tendency will be to compare this to `The Wizard of Oz,’ and there’s no film that will ever live up to that.”
According to a survey done by the site, nearly all those buying tickets for the new “Oz” film have seen the original, and the film is far and away the most popular of the week, comprising almost 80 percent of tickets sold.
Franco has loved the world created by L. Frank Baum since he first saw the 1939 movie on TV as a kid. It inspired him to read all of Baum’s books, which led him to other fantasy fare such as “Alice in Wonderland” and the works of J. R. R. Tolkien. But the notion of revisiting the Land of Oz with an A-list director wasn’t enough to lure Franco to the leading role.
“I already had a lot of faith in the movie because Sam was attached, but as an Oz fan, I wanted to be sure that the approach was sound,” the actor said. “They very smartly did not just do a boy version of Dorothy and have the same trip through Oz.”
For one, Franco notes the wizard is a con man and his trip through Oz is very different than Dorothy’s was. “He’ll be getting into awkward situations, basically kind of bouncing off of Oz in ways that Dorothy didn’t,” the actor said.
While the new “Oz” has plenty of familiar elements _ the yellow brick road, Emerald City, witches, munchkins (now multi-ethnic) _ “the ways they’re interacting with the protagonist (are) completely different,” Franco said.
As the film opens in sepia-toned 1905 Kansas, Franco’s Oscar Diggs is a carnival magician who dreams of fame and fortune at any cost. When a twister whisks him to a fantastical land bearing his stage name _ Oz _ whose inhabitants believe him to be a wizard sent to save them, he can’t believe his luck. Power and riches are practically his for the taking.
But first, he faces three witches, none of whom are exactly as they seem. Oz befriends a few locals, including a flying monkey (Zach Braff) and a china doll (Joey King), and eventually makes the plight of the people of Oz his own.
“I remember it being the scariest movie I’d ever seen in my life and also the most touching movie, the saddest, sweetest thing I’d ever seen,” he said. “It was that spirit of sweetness, of characters becoming complete by the end of the story _ that was the most powerful thing I took away from the 1939 classic and the thing we tried collectively to put in our picture.”
Some critics have questioned the casting of Franco as the wizard. The AP’s Christy Lemire wrote that he’s “too boyish for the role … neither charismatic nor self-loathing enough.”
By Mangosuthu Buthelezi
Memories of a long brotherhood tempered in common struggle
- NAPOLITANO: A conspiracy so vast
- Obama's Afghanistan experts stumped on U.S. death toll, war costs during hearing
- Comma on!: Twitter erupts over Obama-Castro 'marriage'
- All-out war breaks out in GOP over budget pact
- ICT trade mission to Azerbaijan successfully completed
- American bourbon now better than Scottish whisky: U.K.-born expert
- JACOBS: Prepare for a fight on driverless vehicles
- Obama takes 'selfie' at Mandela's funeral service
- Inside China: Ukraine gets nuke umbrella
- White House faces press revolt over access to Obama's South Africa flight
Independent voices from the The Washington Times Communities
Consummate traveler Todd DeFeo explores the unique stories that make destinations worth going to.
Extraordinary day at Redskins Park
White House pets gone wild!
Let it snow