March Madness is over, but you still have another chance to see an amazing display of basketball skills — at the circus!
At 15, “Kip” Jones didn’t know a thing about riding unicycles when he found himself in a circus audition in the Bronx about 30 years ago.
But when he saw circus performers peddling those one-wheeled vehicles while playing basketball, the former gymnast was captivated.
“It was kind of a unique situation,” he says. “I was hanging out with a school friend of mine and tagged along during the audition. I fell in love with it.”
After a successful audition, Mr. Jones joined the King Charles Troupe — the basketball-playing unicyclers who are a top act in the Ringling Bros. and Barnum & Bailey’s Circus. “The Greatest Show on Earth” propped up its big top Wednesday at the Patriot Center in Fairfax.
Gymnastics taught him the importance of flexibility and discipline, and Mr. Jones says that experience helped prepare him somewhat for his chosen profession. But playing basketball on while riding a unicycle required new skills he had to learn and master. He is now the troupe’s leader.
“[We] perfect a skill and make it our own. No one else can duplicate it the way we have done it,” Mr. Jones says.
Having performed in a wide array of arenas across the country while traveling with the circus over the past three decades, Mr. Jones says he is still amazed by the crowd’s reaction when the troupe performs its choreographed routines of comedy and athletics.
What’s more, he holds to the intentions and ideals of the troupe’s founder — Jerry King.
In 1958, King taught his son, Charles, and other children in their South Bronx neighbor how to ride a unicycle as a sort of ad hoc community project. He wanted to teach them about discipline, direction and Christian principles through a skill King knew and loved — the unicycle.
“King was concerned with the circle of evil. He took his passion for the unicycle and taught his son,” Mr. Jones says.
The troupe is unlikely to disappoint, even if you’ve seen the show before. The choreographed routines are planned in every detail, but unexpected things happen that make each performance unique.
“It’s probably 50-50,” Mr. Jones says of the troupe’s choreography and improvisation. “The ball takes a different bounce every time.”