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- House unveils bill to speed deportations of illegal immigrant children
- Californians protest middle school for hiring white man to teach cultural studies
- Killer’s sentencing overturned because mother couldn’t find seat in courtroom
- Hillary: ‘dead broke’ comment was ‘inartful,’ but insists it was ‘accurate’
- Fla. mom arrested for allowing 7-year-old son to walk to park alone
- Appeals court upholds Obamacare tax as constitutional
- As fighting in Gaza rages on, Kerry battles hapless bumbler perception
- New Englander Scott Brown turns his gaze to the U.S. border crisis
- Toronto’s Rob Ford takes rehabbed self to kids’ playground for political props
ZADZOOKS: Lightning Returns: Final Fantasy XIII review
Question of the Day
A stylish female warrior helps souls escape doomsday in the third-person adventure Lightning Returns: Final Fantasy XIII (Square Enix, reviewed for the Xbox 360, Rated: Teen, $59.99).
Taking place 500 hundred years after the events of Final Fantasy XIII-2, we find our heroine Lightning awakening after her extended hibernation on the planet of Nova Chrysalia, near at its end, and consumed by the evil force of Chaos.
After cutting a deal with the god Bhunivelze to resurrect her sister Serah, she has 13 days to guide souls to a new world to be created by the deity. Yes, a sort of Book of Revelations mash-up here but loaded with exhausting combat, a soap-operatic plot, plenty of chatting and exploring and some massive swordplay.
Her journey’s will teleport her from a sky headquarters named the Arc to such active areas as the divine city of light, Luxerion; the lifeless desert with undead horrors called the Dead Dunes; the lush and dangerous wilderness of Wildlands; and a Las Vegas for end-of-world partiers called Yusnaan.
In each, she must accept missions and side quests, talk to the area natives and fight for her life against a variety of humans and creatures while claiming those precious souls.
For example, early on she is on a fact-gathering mission to find out who killed a group of girls that look like her. Lightning’s investigation eventually leads to confrontations with a group of religious zealots called the Children of Etro.
Or, while in the Wildlands, she must find an illusive white chocobo (a large chicken-like creature) nicknamed the Angel of Valhalla. Once she gets clues from a local doctor of its location, she must fight a huge monster to rescue it. If the animal appreciates her efforts, she can actually ride it around the location.
Lightning’s most-precious objective, saving those souls, is very important for the player as he quickly realizes he has a big problem.
The world ends in 13 days, but I’m only seeing that I have seven days of game time. Well, that’s a sneaky time limit. The opportunistic player who can free complete missions and side quests will earn Eradia, a light force that accumulates and that translates into extra time to play the game and save more humans.
I really hated that aspect of the game. There is always too much to do and see and not enough hours. In fact, in three hours of real time, I have almost burned through three days due to my meandering and incompetence. I was not getting much Eradia to help.
Combat can be equally frustrating but rewarding for successes. It not only relies on unleashing sequences of magical and physical attacks (tied to a controller’s buttons) at the right time but entering battle with the proper sets of Schemata.
Stop scratching your head. The term refers to building a custom set of powers based on stuff acquired. A player chooses garb, a weapon, shield, accessories and abilities to design a load out to use on enemies.
The garb is always quite stylish and occasionally risqué (reference Lightning dressed in mini-skirts, flowing dresses highlighting her cleavage and practically only her skivvies), but each Schemata package can be accessed on the fly to mix together a potent selection of costuming that triggers combinations of attacks.
Luckily, each location also offers plenty of shops to buy stuff based on the game’s currency Gil, so a player can keep building a variety of Schemata.
Now engaging a creature (running away is acceptable) is often a painful struggle of will. It can take an extended amount of effort and time to defeat one. I was awed by the impressive detail of monsters such as the Kaiser Behemoth (a quadrupedal beast that when wounded becomes bipedal and pulls out a sword) but really frustrated when trying to beat it.
© Copyright 2014 The Washington Times, LLC. Click here for reprint permission.
About the Author
A graduate of Northwestern University with a degree in communications, Joseph Szadkowski has written about popular culture for The Washington Times for the past 17 years. He covers video games, comic books, new media and technology.
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