- Beretta leaves Maryland over gun laws, heads for Tennessee
- Neal Boortz defends Hillary Clinton for representing child rapist
- House task force to recommend National Guard on border, faster deportations
- Top federal judge uses pizza to explain complex Obamacare situation
- Obama, Biden overhaul job training programs
- Drought-plagued Californians turn to paint to keep lawns green
- ISIL now forcing Iraqi shopkeepers to veil mannequins in Mosul
- 11 parents of Nigeria’s abducted girls die
- Genetic mapping triggers new hope on schizophrenia
- Turkish P.M. Erdogan won’t speak to Obama, but he’ll take calls from Biden
Gerry Goffin, Carole King’s ex-husband, dies at 75
Question of the Day
NEW YORK (AP) - Gerry Goffin, a prolific and multi-dimensional lyricist who with his then-wife and songwriting partner Carole King wrote such hits as “Will You Love Me Tomorrow,” ”(You Make Me Feel Like) A Natural Woman,” ”Up on the Roof” and “The Loco-Motion,” died early Thursday at his home in Los Angeles. He was 75.
His wife, Michelle Goffin, confirmed his death.
Goffin, who married King in 1959, penned more than 50 top 40 hits, including “Pleasant Valley Sunday” for the Monkees, “Some Kind of Wonderful” for the Drifters and “Take Good Care of My Baby” by Bobby Vee. Goffin was able to pen jokey lyrics or achingly sad ones, and he did it for solo artists and multiple voices.
Louise Goffin, one of his daughters, said her dad “wore his heart on his sleeve, and I am deeply blessed to have had a father who could so easily make the world laugh and cry with just a spiral notebook and a pen.”
King and Goffin divorced in 1968, but Goffin kept writing hits, including “Savin’ All My Love for You” for Whitney Houston. Goffin and King were inducted into the Songwriters Hall of Fame in 1987 and the Rock and Roll Hall of Fame three years later.
King said in a statement that Goffin was her “first love” and had a “profound impact” on her life.
“Gerry was a good man with a dynamic force, whose words and creative influence will resonate for generations to come,” King said. “His words expressed what so many people were feeling but didn’t know how to say.”
Goffin’s lyrics could veer from romantic to defiant to silly. In “Will You Love Me Tomorrow,” he touchingly wrote, “Tonight with words unspoken/You say that I’m the only one/But will my heart be broken?/When the night meets the morning sun?”
But there was an undercurrent of sadness in his song “Up on the Roof,” where the lyrics go: “When this old world starts getting me down/and people are just too much for me to face/I climb way up to the top of the stairs/and all my cares just drift right into space.”
The Goffin-King love affair is the subject of the Tony Award-nominated musical “Beautiful: The Carole King Musical” on Broadway. King, while backing the project and with one of their daughters acting as a producer, had avoided seeing it for months because it dredged up sad memories. She finally sat through it in April.
The musical shows the two composing their songs - and competing against the formidable rival team of Barry Mann and Cynthia Weil - at Aldon Music, the Brill Building publishing company in Manhattan that also employed Neil Sedaka, Howard Greenfield and Carole Bayer Sager.
The show ends just as King is enjoying fame for her groundbreaking solo album “Tapestry.” Though it also alleges Goffin’s womanizing and mental instability were causes of the breakup, he happily attended the opening of the musical. A spokeswoman for the show said the cast would dedicate Thursday night’s performance to Goffin.
After his divorce from King, Goffin garnered an Academy Award nomination with Michael Masser for the theme to the 1975 film “Mahogany” for Diana Ross. He also earned a Golden Globe nomination for “So Sad the Song” in 1977 from the film “Pipe Dreams.”
Goffin was born in Brooklyn in 1939 and was working as an assistant chemist when he met King at Queens College.
“She was interested in writing rock ‘n’ roll, and I was interested in writing this Broadway play,” Goffin told Vanity Fair in 2001. “So we had an agreement where she would write (music) to the play if I would write (lyrics) to some of her rock ‘n’ roll melodies. And eventually it came to be a boy-and-girl relationship. Eventually I began to lose heart in my play, and we stuck to writing rock ‘n’ roll.”
TWT Video Picks
The president could pay the full price for ignoring Congress
- David Perdue defeats Jack Kingston in Georgia Republican Senate primary runoff
- IRS seeks help destroying another 3,200 computer hard drives
- D.C. appeals panel deals big blow to Obamacare subsidies
- Beretta moving to Tennessee over Maryland gun laws
- 'Straight White Guy Festival' supposedly set for Ohio park
- Gen. James Amos, Marine Corps commandant, slams Obama's handling of Iraq
- DEACE: How to go from civil rights icon to bigot in one quote
- LYONS: Small-arms treaty, big Second Amendment threat
- EDITORIAL: Obamacare in intensive care
- PRUDEN: A deadly enemy within exacerbating immigration crisis
Obama's biggest White House 'fails'
Celebrities turned politicians
Athletes turned actors
20 gadgets that changed the world
Fighting in Iraq