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‘Intense itch’ leads Michael C. Hall back to stage
Question of the Day
NEW YORK (AP) - Michael C. Hall has turned a page, broken with the past, made a break.
No more sawed-off limbs, gruesome murder, headless bodies or infants sitting in puddles of blood. His serial killer Dexter is no more, giving way to a Broadway play about two suburban couples.
So the body count is low? “Just a squirrel,” says Hall.
A dark comedy, the play is about two couples who have more in common than their identical homes and their shared last names. It’s an off-kilter work about the thirst for human connection and understanding.
It was the perfect antidote to Hall’s post-“Dexter” blues. Few may know that before he picked up the scalpel, Hall was a thespian and a song-and-dance man and now he wanted to return to theater. He even did an early workshop for the Broadway-bound “Big Fish” but his schedule didn’t work out with “Dexter.”
“I experienced an increasingly intense itch to come back to the stage and when I talked to my representatives about it, I said, ‘My ideal thing would be to do a new American play by a living playwright on Broadway,’ which is somewhat of a rare thing.”
He got it all in Eno’s play, which first premiered at the Yale Repertory Theatre in 2012. Hall was invited to a reading before it came to New York and wolfed down the script in one sitting before getting on a flight to New York.
“I think Will’s work is just phenomenal,” says Hall. “There’s something mysterious about the cumulative power of his words. He’s the real deal.”
Eno exchanges the compliment: “It was uncanny and almost eerie how instantly he just plugged himself into the role and the play. He is absolutely terrific and he is really funny in an easy way.”
The play marks the first time Hall has returned to Broadway since he took over from Alan Cumming as the white-faced emcee in the last revival of “Cabaret,” a part he played for almost 500 times and credits as “a real gift.”
“When I was told that I got that part, everything that has happened beyond then has been beyond anything I ever really imagined. That was really the moment of, ‘Wow. Maybe I’m really going to get away with this,’” he recalls.
He fully intended on a stage career after graduating from New York University and threw himself into Shakespearian roles and even the musical “Chicago.” ”It’s where I came from. It’s what initially drew me to acting,” he says.
His first Broadway show he was an understudy in David Hare’s “Skylight” in 1996. He never made it onstage but he was paid. “It was the most money I’d ever made. I’d call in at 7:30, they didn’t need me and I’d watch ‘The Simpsons.’ It was great.”
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