- Ohio university quiz implies atheists are naturally smarter than Christians
- Rep. Henry Cuellar on border crisis: ‘Playing defense on the one-yard line’
- Activists vow to occupy fast-food restaurants to get higher pay
- Rep. Luis Gutierrez: Senate Dems wary of immigration politics
- Summer camp for 1 percenters: Sushi, limos and shopping at FAO Schwarz
- Colorado gun crackdown law found to be built on faulty data
- Hank Aaron steps to fundraising plate for Democrat Michelle Nunn
- ISIL terrorists blow up burial site of Jonah, vow more of same
- Impeach Obama, say 35 percent in new poll
- Taliban yank 14 Shiites off bus, bind and shoot them on Afghan road
Second- and third-stringers eye 2016 if front-runner stumbles
Topic - Bill Condon
Like so many movies inspired by recent history, “The Fifth Estate” doesn’t reveal so much as it restates. It’s a condensed-for-drama highlight reel that covers Wikileaks founder Julian Assange’s rise from lonely hacker activist to media sensation and global governmental irritant.
Opening this year’s festival on Thursday is the premiere of Bill Condon’s dramatization of Julian Assange and WikiLeaks, “The Fifth Estate” — a film with which Mr. Assange refused to cooperate and which he has called “a massive propaganda attack.”
Finally _ finally! _ the "Twilight" franchise embraces its own innate absurdity with the gleefully over-the-top conclusion, "The Twilight Saga: Breaking Dawn _ Part 2."
One person who's not sweating over the poor reviews of the first three "Twilight" movies is the guy directing the final two.
Mr. Condon, meanwhile, attempts to convey the underground hipness of Assange’s world, and the hacker scene he comes from, with a grab bag of stylistic tricks — including a ceiling-free, infinite “room” full of computers meant to represent Assange’s computer network — and a soundtrack punctuated by thudding electronic music.
While Mr. Condon laments for Mr. Cumberbatch’s sake that the actor wasn’t able to meet with Mr. Assange to study his behavior, he sees some advantage to making a film about Mr. Assange without his input.