Topic - David Pountney

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  • In this undated photo provided by the Houston Grand Opera, Melody Moore as Marta, left, and Michelle Breedt as Liese, perform during a dress rehearsal of the opera, "The Passenger," in Houston. "The Passenger" is the darkest of operas, a powerful and unrelentingly grim work that dares to grapple with the horrors of the Holocaust through a musical descent into Auschwitz. (AP Photo/Houston Grand Opera, Lynn Lane)

    Houston gets US premiere of Holocaust opera

    It's the darkest of operas, a powerful and unrelentingly grim work that dares to grapple with the horrors of the Holocaust through a musical descent into the hell that was Auschwitz.

  • Review: Terfel shines in Zurich's odd 'Dutchman'

    There's scarcely a ship or a sailor to be seen in the wildly revisionist, weirdly anti-colonialist new production of Wagner's "The Flying Dutchman" at the Zurich Opera. But, fortunately, there is Bryn Terfel.

  • Review: Terfel shines in Zurich’s odd ‘Dutchman’

    There's scarcely a ship or a sailor to be seen in the wildly revisionist, weirdly anti-colonialist new production of Wagner's "The Flying Dutchman" at the Zurich Opera. But, fortunately, there is Bryn Terfel.

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