By Andrew P. Napolitano
The president's men trash the Constitution to pursue antagonists
Independent voices from the TWT Communities
There isn't much "Hollywood" about Kevin Tsujihara.
Ben Affleck's "Argo," a film about a fake movie, has earned a very real prize: best picture at the Academy Awards.
Daniel Day-Lewis has joined a select group of Academy Award recipients with his third Oscar, taking the best-actor trophy Sunday for his monumental performance as Abraham Lincoln in the Civil War saga "Lincoln."
Eva Marie Saint, Janet Leigh and Doris Day are just a few of the famed platinum-blond actresses to co-star in Alfred Hitchcock movies.
The piano used for the song "As Times Goes By" in the classic 1942 film "Casablanca" has fetched more than $600,000 at auction.
The piano used for the song "As Times Goes By" in the classic 1942 film "Casablanca" is getting another turn at fame.
The paper conservator's scalpel picked at the red and black specks, flicking away the fly droppings that had stained Ingrid Bergman's letter to Ernest Hemingway.
The paper conservator's scalpel picked at the red and black specks, flicking away the fly droppings that had stained Ingrid Bergman's letter to Ernest Hemingway.
"The Artist" won five Academy Awards on Sunday including best picture, becoming the first silent film to triumph at Hollywood's highest honors since the original Oscar ceremony 83 years ago.
Meryl Streep joined a very exclusive club on Sunday, winning her third acting Oscar for her role as a strident Margaret Thatcher in "The Iron Lady."
Academy Awards voters have spoken up for "The Artist," the first silent film to triumph at Hollywood's highest honors since the original Oscar ceremony 83 years ago.
Meryl Streep joined a very exclusive club on Sunday, winning her third acting Oscar for her role as a strident Margaret Thatcher in "The Iron Lady."
One director subverts Finland's relationship with the great outdoors. Another unleashes a foul-mouthed teen on unsuspecting audiences. A third tackles the complexities of family jealousy.
Speaking in his office above the Broadway theaters where he performed as a child, director Sidney Lumet was typically unpretentious in discussing his films, a body of work numbering more American classics than most have a right to contemplate.
Speaking in his office above the Broadway theaters where he performed as a child, director Sidney Lumet was typically unpretentious in discussing his films, a body of work numbering more American classics than most have a right to contemplate.
