- U.S. Army hails success with drone-shooting laser
- John Kerry: Israel-Palestinian peace deal paved for April
- India diplomat who touts women’s rights busted for $3 wage to nanny
- MSNBC host Ed Schultz paid $252K by unions in 2012-2013
- Korean War memorial ordered to take down Christian cross
- Billy Graham near death, ‘close to going home to be with the Lord’
- SeaTac, Wash.: City’s new $15 minimum wage heads to court
- Obama mulls support for Islamists in Syria, with conditions
- Obama ‘birther’ theories float, as Hawaii health director killed in crash
- U.S. drone faulted for killing 14 ‘innocent civilians’ at Yemen wedding
By Mangosuthu Buthelezi
Memories of a long brotherhood tempered in common struggle
Independent voices from the The Washington Times Communities
Topic - Jonathan Banks
If you appreciate kinetic, intelligent commercial thrillers, then stop reading this review and make plans to see "Side Effects."
If "Side Effects" is indeed Steven Soderbergh's final film, as he's said it will be after toying with the notion of retirement for a couple of years now, then intriguingly it feels like he's coming full circle in some ways to the film that put him on the map: the trailblazing, 1989 indie "sex, lies and videotape."
It's the best time in years to sell your car.
"You're not going to find a situation like this very often," said Jonathan Banks, executive auto analyst for the National Automobile Dealers Association used car pricing guide.