- Elton John blasts Russia’s anti-gay laws during Moscow concert
- U.N.: Afghanistan slow to enforce law protecting women
- Heart cancels SeaWorld concert after ‘Blackfish’ documentary
- South Carolina sheriff refuses to lower American flag for Nelson Mandela
- South Africans hold day of prayer for Nelson Mandela
- Mandela not on life support in final hours, friend says
- Ukraine protesters topple, decapitate Lenin statue in Kiev
- Kim Jong-un’s uncle removed from North Korean state documentary
- Thailand crisis deepens as opposition quits Parliament
- Campbell Soup apologizes for SpaghettiOs’ Pearl Harbor tweet
By Brahma Chellaney
Beijing's creeping aggression signals a challenge to U.S. presence in the Asian Pacific
Independent voices from the The Washington Times Communities
Topic - Korine
"The Call" _ Long a bit player in movies, the 911 dispatcher finally gets a starring role. It would seem long overdue, since Halle Berry is apparently among their ranks. She's an emergency operator in Los Angeles, where the trauma of a first kidnapping case has forced her to hang up the headset. But, having shifted to a trainer position, she's lured back for a second kidnapping call when a rookie dispatcher can't handle the frightening pleas from a taken teenager (Abigail Breslin) trapped in a car's trunk. Director Brad Anderson ("Transsiberian") working from the simple, high concept screenplay by Richard D'Ovidio, ably cuts between the fraught strategizing at the call center and the frantic police pursuit of the kidnapper (Michael Eklund). The film dials up a shallow thrill ride, but one efficiently peppered with your typical "don't go in there!" moments. But what once was usual for Hollywood _ reliable, popcorn-eating genre frights _ isn't so much anymore. A rudimentary, almost old-fashioned 90-minute escape, the film achieves its low ambitions. R for violence, disturbing content and some language. Running time: 95 minutes. Two stars out of four.
"The Incredible Burt Wonderstone" _ The only incredible thing here is the way this comedy makes Steve Carell so thoroughly and irreparably unlikable. In a film about magic tricks, this is the most difficult feat of all. Even when Carell is playing characters who are nerdy ("The 40-Year-Old Virgin") or needy ("Crazy, Stupid, Love") or clueless (TV's "The Office") or just plain odd ("Anchorman: The Legend of Ron Burgundy"), there's usually an inherent decency that shines through and makes him seem relatable, vulnerable, human. None of those qualities exists within Burt Wonderstone, a selfish and flashy Las Vegas magician who once ruled the Strip alongside his longtime friend and partner, Anton Marvelton (Steve Buscemi), but now finds his act has grown outdated and unpopular. Even within the confines of a comedy sketch, where he probably belongs, Burt would seem one-dimensional and underdeveloped with his hacky jokes and tacky clothes. Stretched out to feature length, the shtick becomes nearly unbearable _ until, of course, the movie doles out its obligatory comeuppance, followed by redemption, and goes all soft and nice. By then it's too little, too late. Jim Carrey gives it his all, as always, as the up-and-coming gonzo street magician who threatens Burt's career, but Olivia Wilde gets little more to do than serve as the supportive "girl" as Burt's assistant. PG-13 for sexual content, dangerous stunts, a drug-related incident and language. 101 minutes. One and a half stars out of four.