- Obama takes aim at ‘corporate deserters’
- Dick’s Sporting Goods lays off 478 PGA golf pros
- Senators: Cease-fire must allow Israel to defend against rockets, tunnels
- Sierra Leone doctor fighting Ebola catches disease
- Iraq welcomes Russian fighter jets, helicopter gunships into ISIL fight
- John McCain laments: Obama’s ‘self-pity … is really kind of sad’
- GOP offer to fix VA gives $10 billion in emergency funds
- Paul Ryan offers to repair U.S. economic safety net with a single grant stream
- Kim Jong-un builds bond with Putin: $250M Russia-backed addition to key port opens
- Pope Francis meets Meriam Ibrahim, a Sudanese woman sentenced to death
By Michael Widlanski
Leveling the battlefield to aid terrorists enables evil to fight on
Topic - Leslie Mann
On its surface, "The Other Woman" is a very welcome thing: A movie starring talented, funny women with their own punch lines and everything. In the movies, this is bizarrely rare.
"The Other Woman" has a bit of an identity crisis. Is it a life-affirming story of women bonding under adverse circumstances, or a gross-out revenge comedy about infidelity?
Intended as a cry of female empowerment, "The Other Woman" starts rough, picks up steam halfway through, then ends with an odd clunk, leaving you wishing that the good bits could have better used.
If you count yourself among those who've never been cheated on, Cameron Diaz has these words of wisdom: It will happen, or it's already happened and you just don't know it.
The latest generational comedy from raunch auteur Judd Apatow is notable for a few riotously funny set pieces, but it drags at times over its more than two hours, lurching toward the inevitable happy ending.