- Israel hits symbols of Hamas rule; scores killed
- Mississippi abortion law can’t be enforced
- Teacher who survived Sandy Hook has book deal
- Jury awards Jesse Ventura $1.8M in case vs. ‘American Sniper’ author Chris Kyle
- Government OKs Arab-owned company to operate U.S. cargo port
- Defense lawyer: McDonnell’s wife had ‘crush’ on CEO
- Chinese hackers stole ‘huge quantities’ of sensitive data on Israel’s Iron Dome
- House unveils bill to speed deportations of illegal immigrant children
- Californians protest middle school for hiring white man to teach cultural studies
- Killer’s sentencing overturned because mother couldn’t find seat in courtroom
Undocumented immigrants are proud and loud now with their demands
Topic - Paul Rudd
"Admission" _ What should be a hilarious, long-overdue pairing of two hugely likable, superstar comedians ends up being a major disappointment. As much film and television work as they do individually, Tina Fey and Paul Rudd surprisingly never have worked together. In theory, her smart, zingy persona should mesh beautifully with his easygoing goofiness _ or their shared dynamic should bounce, or snap, or have some sort of life to it. Instead, Paul Weitz's direction of Karen Croner's script is tonally erratic: too fast in spots and too much of a slog in others. It certainly doesn't help that the characters feel like types without much nuance. Even reliable comic veterans like Fey and Rudd can't find much that's new or fresh in these people, and as a result they have zero chemistry with each other. Fey, as a Princeton University admissions officer, is always uptight, precise and emotionally closed-off. Rudd, as the do-gooder founder of an alternative New England high school, is always free-spirited, adventurous and open-minded. Even in the fantasy world of romantic comedies where opposites attract and sparks fly, these two have no business being together. Nat Wolff plays the odd, brilliant student who may be the son Fey's character put up for adoption as a newborn and Lily Tomlin provides the film's few moments of joy as Fey's maverick feminist mother. PG-13 for language and some sexual material. 100 minutes. One and a half stars out of four.
What should be a hilarious, long-overdue pairing of two hugely likable, superstar comedians ends up being a major disappointment with "Admission."
Highlights of Hollywood's 2013 schedule (release dates are subject to change):
Paul Rudd has been killing himself every night.
Set in suburban Pittsburgh in the early 1990s, in the waning days of the mix-tape era, "The Perks of Being a Wallflower" comes on like an ordinary movie about a sensitive naif struggling to survive the casual slights of freshman year of high school. But what emerges from a seemingly stereotypical setting is a moving and disquieting meditation on trauma and survival.
For the past few years, something's been slowly gnawing at Paul Rudd _ the lure of live theater.
Paul Rudd wants to take you bowling _ and he's bringing along some of his A-list friends.
Paul Rudd and Ed Asner are heading to Broadway this fall in Craig Wright's "Grace."
The newest model off the production line at the Judd Apatow comedy factory is "Wanderlust," your basic fish-out-of-water sendup.
Capsule reviews of films opening this week:
`I just want to try something a little different.'
"I was kind of antsy," he says.