"Satyagraha," Philip Glass' at times magical _ and at times maddening _ meditation on the early career of Gandhi, is back at the Metropolitan Opera where it enjoyed a triumphant run three years ago.
Philip Glass is one of the most famous names in modern music, a composer whose minimalist, hypnotically repetitive scores have attracted huge audiences over the past four decades - and divided them into warring camps.
"Boy, this is a great city," says Woody Allen, lounging on a park bench that overlooks Manhattan's East River and the 59th Street Bridge. "I don't care what anybody says. It's really a knockout, you know?"
