- Unbeliebable: White House turns Bieber petition response into immigration screed
- Obama signs law denying Iran ambassador’s visa, but says law is ‘advisory’
- Mich. judge to laughing convicted killer: ‘I hope you die in prison’
- Man charged in Kansas City-area highway shootings
- Keystone XL pipeline still on hold after State Dept. decision
- Fla. man charged with killing 16-month-old son to play Xbox undisturbed
- Drones from the deep: Pentagon develops ocean-floor attack robots
- Michigan mayor slaps back atheists’ try to erect ‘reason station’ at city hall
- PHILLIPS: Where is the conservative establishment?
- 7.5-magnitude earthquake shakes southern Mexico
Women losing coverage under Obamacare, too
Topic - Roger Deakins
Roger Deakins is the rare person I was actually nervous to interview because I'm such a huge fan of his work. When I talked to the veteran cinematographer in early 2008, after he'd received Academy Award nominations for both "No Country for Old Men" and "The Assassination of Jesse James by the Coward Robert Ford," I found him to be lovely and humble, with a dry and self-effacing British wit _ which naturally made me admire him even more.