- India diplomat who touts women’s rights busted for $3 wage to nanny
- MSNBC host Ed Schultz paid $252K by unions in 2012-2013
- Korean War memorial ordered to take down Christian cross
- Billy Graham near death, ‘close to going home to be with the Lord’
- SeaTac, Wash.: City’s new $15 minimum wage heads to court
- Obama mulls support for Islamists in Syria, with conditions
- Obama ‘birther’ theories float, as Hawaii health director killed in crash
- U.S. drone faulted for killing 14 ‘innocent civilians’ at Yemen wedding
- GOP hopes taking shutdown off the table with budget deal will pay dividends
- Chinese Death Star: The moon cited as the perfect launch pad for ballistic missiles
By Mangosuthu Buthelezi
Memories of a long brotherhood tempered in common struggle
Independent voices from the The Washington Times Communities
Topic - Samantha Morton
Jurors at the Venice Film Festival loved "The Master," a film inspired by Scientology founder L. Ron Hubbard, but strict rules kept them from giving it the top Golden Lion prize along with the other awards it garnered.
Intriguing but numbing and visually stunted, David Cronenberg's film adaptation of "Cosmopolis" captures the weary philosophical deadpan of Don DeLillo's 2003 novel of financial cataclysm.
Lifeless, stagey and lacking a palpable subversive pulse despite the ready opportunities offered by the material, "Cosmopolis" is a stillborn adaptation of Don DeLillo's novel that will initially attract some Robert Pattinson fans but will be widely met with audience indifference.