By Andrew P. Napolitano
The president's men trash the Constitution to pursue antagonists
Independent voices from the TWT Communities
"Oz the Great and Powerful" is living up to its name at the box office.
Want to live like Rocky Balboa? The Italian Stallion's house is on the market.
Want to live like Rocky Balboa? The Italian Stallion's house is on the market.
Perhaps there is a Lover’s Day lesson to be gleaned from Bruce Willis’ weekend box office triumph: Love your base, and your base will love you. Opening on Valentine’s Day, “A Good Day to Die Hard,” the fifth installment in the star’s signature action movie franchise, finished number one at the box office for President’s Day weekend, with a three-day gross of $25 million.
Bruce Willis remains a die-hard at the box office.
The ex-Governator and the suspiciously ripped Rambo sold out the Second Amendment — despite the fame and fortune each has won wreaking bloody havoc on the big screen. After their comments, both of their new star vehicles promptly tanked at the box office. Coincidence?
It sounds like the plot line to a movie: He's a former LA cop on a violent, rage-filled rampage who will stop at nothing for revenge.
Maybe Bruce Willis is the man to unite divided Republicans.
As rising GOP stars prepare to deliver competing, stereophonic versions of the fissile party’s response to President Obama’s State of the Union message Tuesday night, Bruce Willis continues to speak out in mono, on message, in a language common to all Republicans.
The love-struck zombies of "Warm Bodies" swarmed the box office on Super Bowl weekend with a $20 million opening.
The love-struck zombies of "Warm Bodies" swarmed the box office on Super Bowl weekend with a $20 million opening.
Sylvester Stallone says that despite his "Rambo" image and new shoot-em-up film "Bullet to the Head," he's in favor of new national gun control legislation.
Sylvester Stallone says that despite his "Rambo" image and new shoot-em-up film "Bullet to the Head," he's in favor of new national gun control legislation.
As a way to fry some gray matter at the multiplex, this lumbering, mostly pointless shoot'em-up succeeds well enough. But there are plenty of ways to do that, and in a cinematic season glutted with low-rent retro action flicks, "Bullet to the Head" doesn't manage to justify its own existence.
Like the amped up comeback tour of two rockers who had their heyday sometime in the mid-'80s, Sylvester Stallone and director Walter Hill ("48 HRS.," "The Warriors") join forces for a hard-hitting exercise in beefy, brainless fun with the New Orleans-set actioner "Bullet to the Head."
"People think it's going to be some geezer brawl. Really? OK, they're in for a surprise. I'm telling you. I've been working on the fight, the choreography. He's taking it deadly serious. Because no one wants to be shown up," Stallone said of De Niro.
And that's where we've dropped the ball: mental health," he said. "That to me is our biggest problem in the future, is insanity coupled with isolation."
