- John Podesta eats crow: ‘I apologize to Speaker Boehner’
- U.S., China race to finish line on ‘invisibility cloak’
- Obama ‘cavalier’ in hiding foreign aid order, judge rules
- Prince Charles: Muslims are driving Christians from Mideast through persecution
- Gitmo’s first commander: Close the prison down
- Google’s newest photography find: Just wink and shoot
- Detroit’s Heidelberg art project hit by 8 fires in 8 months
- Pa. police pull people over for random DNA tests for feds
- NASA pushing hard to get back into space game
- Harvard student to face federal charges for bomb hoax
By Andrew P. Napolitano
Fourth Amendment says Obama is not at liberty to collect metadata
Independent voices from the The Washington Times Communities
Topic - Vera Farmiga
"The Conjuring" is perhaps best thought of as a Girl Talk track: There's nothing new or original about it, but it's entertaining enough, and one can't help but respect the craft that went into making something catchy out of component parts stolen from others.
A&E and executive producer Carlton Cuse are looking for some creative minds to check into the network's upcoming "Bates Motel."
Nina Arianda, a rising star who has won over audiences for two seasons in Tony-nominated parts, has won the Tony for best leading actress in a play.
The producers of "Safe House" have done potential viewers exactly one favor: They've turned the movie's title into a hint as to where it's best viewed — in the safety and comfort of one's own home.
It'll be a busy shopping season at next month's Sundance Film Festival, whose star-studded premieres are up for grabs by potential theatrical distributors.
Terrence Malick's highly imaginative "The Tree of Life" and Mike Mills' flashback comedy, "Beginners" tied for best feature at the annual Gotham Independent Film Awards.
"Higher Ground" takes viewers to precincts little seen in American movies, to the heart of a small Christian community where people share the struggles of daily life as part of a tight-knit congregation.
Donna Murphy remembers coming across a blog post this winter reporting that she was returning to Broadway in a Holocaust musical.
"Source Code" opens with confusion: Capt. Colter Stevens (Jake Gyllenhaal) wakes up, face pressed against the window of a commuter train. He doesn't know where he is, or how he got there. When he looks in the bathroom mirror, the face he sees is not his own. Yet no one else seems to think anything is amiss. Indeed, Christina (Michelle Monaghan), the attractive woman sitting across from him, appears to be in the middle of a perfectly normal conversation with him.
Director Duncan Jones premiered his thriller Source Code at South by Southwest on Friday, bringing a tech-savvy movie to a high-tech festival.
Vera Farmiga scored a career breakthrough with an acting prize at the Sundance Film Festival seven years ago. She returns to Sundance with her directing debut, which will compete for top honors at the nation's best showcase for independent cinema.
Films starring Demi Moore, Emma Roberts, John C. Reilly and Vera Farmiga are among those competing for prizes at the Sundance Film Festival, the nation's top showcase for independent cinema.
As a psychological thriller and light horror film, director George Ratliff's feature debut, "Joshua," works quite well. It is the tale of a precocious 9-year-old boy who may or may not be destroying his family's sanity and threatening his baby sister's life, and it plays on the fearful notion that some children aren't actually sugar and spice; they're smart and sinister.
As Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) helpfully explain in one of several exposition-laden lectures on the paranormal we see them they deliver, the Perrons are enduring the classic signs of a paranormal experience: infestation, oppression, and possession.
She explains that just a few hours earlier, a bomb blew up a commuter train heading toward Chicago.