- Israel hits symbols of Hamas rule; scores killed
- Mississippi abortion law can’t be enforced
- Teacher who survived Sandy Hook has book deal
- Jury awards Jesse Ventura $1.8M in case vs. ‘American Sniper’ author Chris Kyle
- Government OKs Arab-owned company to operate U.S. cargo port
- Defense lawyer: McDonnell’s wife had ‘crush’ on CEO
- Chinese hackers stole ‘huge quantities’ of sensitive data on Israel’s Iron Dome
- House unveils bill to speed deportations of illegal immigrant children
- Californians protest middle school for hiring white man to teach cultural studies
- Killer’s sentencing overturned because mother couldn’t find seat in courtroom
Topic - Walter Salles
Sadly, Brazilian director Walter Salles’ version of “On the Road” fails to capture the elation and awareness run amok that animate the novel. Though faithful to the characters and the narrative, the film cheats the audience on the context that drives the characters to embrace what were in the late 1940s not yet called alternative lifestyles.
Kristen Stewart understands the lure of the open road. So do her "On The Road" co-stars, Garrett Hedlund and Sam Riley.
Fifty-five years after its publication, Jack Kerouac's "On the Road" is finally burning on the big screen.
Despite the mood in Europe, don't expect any austerity at the Cannes Film Festival, the annual Cote d'Azur extravaganza where glamour is wrapped in world cinema fervor and gauzy Mediterranean sunshine.
"Those characters in the book had the courage to experience everything in the flesh," said Salles.