- Gentlemen, start your drones: Judge’s ruling opens door for commercial use
- Soldier who hid, bragged about not saluting flag to be punished — in secret
- ‘Maverick’ of the seas: ‘Top Gun’ school for U.S. ship officers to launch
- Putin declares Sochi Paralympics open amid Ukrainian protest
- ‘In Jesus name, we pray’ sparks ire at Ohio council meeting
- Navy’s first laser weapon ready for prime time; drone killer to deploy this summer
- Billionaire backer: Rick Santorum ‘needs to be heard’ in 2016
- Obamacare fallout: 49 percent pessimistic; 45 percent ‘scared’
- DHS accused of holding U.S. citizen at airport, using emails to pry into her sex life
- Seattle socialist: Minimum-wage discussion skewed by ‘right-wing’ GAO analysis
By Tammy Bruce
Topic - Zaida Bergroth
One director subverts Finland's relationship with the great outdoors. Another unleashes a foul-mouthed teen on unsuspecting audiences. A third tackles the complexities of family jealousy.
Bergroth says "The Good Son" was well received in Toronto, despite the complexities of making the challenging Finnish-language dialogue accessible in subtitle form.
"When I started to think about the story, I already had pictures in my mind where it would be set, so it comes very naturally of course because I am Finnish and I know these settings and landscapes, and I wanted to have that isolated feeling," Bergroth said.