- The Washington Times - Friday, December 12, 2003

PAWTUCKET, R.I. — Jessica Evans returned to Rhode Island after college to pursue a career in printmaking and imagined opening a studio on Providence’s popular Wickenden Street, where cafes hug the sidewalk, art galleries are plentiful and tourists wander in and out of antiques stores.

Space there was out of her price range, though. After shopping around, Miss Evans was lured five miles upriver to Pawtucket, a gritty industrial town that’s slowly attracting artists as its old mills are being converted into upscale lofts and affordable studios.

Many factors are contributing to Pawtucket’s renaissance, including tax laws friendly to artists, its proximity to Providence and Interstate 95, low rent and an abundance of abandoned or partly used mill complexes that are perfect for artists seeking lots of space and natural light.

Miss Evans’ work space is surrounded by the studios of other artists who have set up shop. “It makes for a very interesting creative community,” she says. “I had no idea this town was full of sculptors, painters, you name it.”

It’s also full of developers, such as Ranne Warner, who are helping build a lively arts community on top of Pawtucket’s industrial past.

Miss Warner, who is Boston-based, bought the old Lebanon Mill Co. facility on the east bank of the Blackstone River for $550,000 last year. She is pumping $14 million in renovations into the 104,000-square-foot complex, and by April, 60 residential and work lofts will have been carved out of the historical building and renamed Riverfront Lofts. Half of them have been sold already.

“There’s been a heavy demand for the old mill buildings,” says Michael Cassidy, director of planning and redevelopment in Pawtucket. “Many of the buildings aren’t conducive to current manufacturing needs. This is a way to easily convert the buildings for use.”

In 1790, mills began to spring up along the Blackstone’s banks as entrepreneurs saw how its surging waters could generate power to weave cotton into cloth or pound iron into tools. The first water-powered mill was built in Pawtucket, described by some as the birthplace of the American Industrial Revolution.

A 10.5-acre downtown district comprising seven buildings and a bridge was added last year to the National Register of Historic Places, a designation that brings the possibility of federal tax credits for owners who refurbish buildings for income-producing purposes.

Miss Warner, a Harvard Business School graduate, says she found it tough at first to find financing for her mill-conversion project. “It was very difficult to find a bank that believed in Pawtucket,” she says.

The National Register designation helped, as did interest from buyers and the prospect of restaurants, shops and other venues popping up around the old mill.

The Pawtucket arts district includes industrial buildings used as commercial and living space. Rep. Patrick J. Kennedy, Rhode Island Democrat, has his office in one of the converted complexes. There’s also a high school and a 107-year-old armory, which is being converted into a performing arts center.

Miss Warner’s lofts are being sold as condominiums ranging from $150,000 to about $450,000, and they’re attracting buyers from California, Colorado, Boston and the local area.

“It’s a space for artists who’ve already made it,” says Miss Evans, who lives in Providence but is on the board of directors at the Pawtucket Arts Collaborative. She says the higher-end properties are necessary to bring investors who will demand better restaurants and other entertainment.

“At the same time, if every single mill building went that way in Pawtucket, you wouldn’t have artists living here,” she says.

Mr. Cassidy, the town’s director of planning, says bringing artists into the city has two goals: The artists produce local goods, and they buy from local dealers.

“They’re not simply a recent graduate from RISD (Rhode Island School of Design), getting some space and sculpting away. These are people with businesses, or business goals. They’re adding to the economy,” Mr. Cassidy says. He makes comparisons to New York City’s SoHo and TriBeCa districts, which have seen transformations from areas of old factory buildings to upscale shopping, arts and residential districts.

Under a 1998 bill approved by the Rhode Island General Assembly, artists who live and work in Pawtucket’s arts district pay no state income tax on one-of-a-kind and limited-production items made and sold in the district, and buyers pay no sales tax. Three other Rhode Island cities — Providence, Woonsocket and Westerly — have similar tax-free districts.

Pawtucket also has invested in improving infrastructure, promoting arts festivals and redeveloping the visitors center to attract more tourists.

The gritty underbelly of the town is still apparent in many of the large brick and granite buildings, some partly shuttered. With just nine square miles, however, the city is compact enough that small changes make a big impact. “We’re an overnight success that only took us 20 years,” Mr. Cassidy says.

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For more information: www.pawtucketri.com or www.pawtucketartscollaborative.org; or call 401/728-0500.


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