- The Washington Times - Thursday, October 13, 2005


• Domino (2005) (R: Systematic depiction of social depravity; frequent profanity, graphic violence and simulated drug use; occasional nudity and sexual candor) —1/2*.One-half star.ture from director Tony Scott, mounting another hell-bent criminal spectacle. This one chronicles the misspent life of the late Domino Harvey, who died a few months ago of a drug overdose while awaiting trial on a federal narcotics rap. The daughter of actor Laurence Harvey and a fortune-hunting fashion model, the subject spent several seedy years as a bounty hunter in Southern California. Mr. Scott and screenwriter Richard Kelly exploit this disreputable gig in a carnival of sensationalism and wretched excess.

• Elizabethtown (2005) (PG-13) — A new attempt at wistful romantic comedy and Americana from writer-director Cameron Crowe, who casts Orlando Bloom as a young man who weathers a disheartening period after traveling to Kentucky to attend a memorial service for his late father. Driving back across the country to Oregon, the hero finds ample time for reflection and renewed hope. With Susan Sarandon as his mother, Alec Baldwin as his boss (apparently a caricature of Nike proprietor Phil Knight), Judy Greer as his sister, Jessica Biel as a departing girlfriend and Kirsten Dunst as her replacement, a cheerful flight attendant.

• The Fog (2005) (PG-13: “Violence, disturbing images and brief sexuality” according to the MPAA) — A 25th anniversary remake of a low-budget John Carpenter horror thriller that entrapped Jamie Lee Curtis in a fog-shrouded locale. The reprise envisions a Pacific Coast island town called Antonio Bay, cursed by ghostly remnants of a shipwreck that dates back to the 1870s.

• Innocent Voices (2005) (R: Graphic violence in a wartime setting) — A memoir of an alternately playful and ominous boyhood, endured under the threat of crossfire and conscription in El Salvador during the early 1980s. Directed in and around Mexico City by Luis Mandoki from a script originated by Oscar Torres, the prototype for the youthful protagonist Chava (Carlos Padilla). In Spanish with English subtitles.

• The Prize Winner of Defiance, Ohio (2005) (PG-13: Some disturbing images and coarse language). Julianne Moore plays the heroic mom to 10 children in this ‘50s-era drama inspired by real events. Miss Moore’s character makes ends meet by winning jingles contests, but her biggest concern isn’t her brood but watching after her alcoholic husband (Woody Harrelson).

• Tony Takitani (2004) (No MPAA rating: Adult subject matter) — A Japanese movie about a marital mismatch, with Issey Ogata as the husband, a technical illustrator, and Rie Miyazawa as the wife, who can’t resist fashionable clothes. In Japanese with English subtitles. Exclusively at the Landmark E Street Cinema.

• The Untold Story of Emmett Louis Till (2005) (No MPAA rating: Adult subject matter, involving historical accounts of racism and graphic violence) — **1/2. An abbreviated new documentary account of the 1955 murder of a Chicago teenager who was brutally murdered by racist vigilantes in rural Mississippi after whistling at a white woman. The culprits were acquitted but later incriminated themselves in a Look magazine post-mortem. The Justice Department recently reopened the case. Filmmaker Keith A. Beauchamp claims partial credit for this decision. The case remains a wrenching time capsule as recalled by Mr. Beauchamp’s interview subjects. The most imposing is the victim’s mother, Mamie Till Mobley. A tower of strength in the aftermath of the killing, she died two years before this film’s completion.

• The War Within (2005) (No MPAA rating: Adult subject matter, with sustained ominous content) — A more topical suspense pretext than audiences may welcome at the moment, especially in New York City. Hassan, a Pakistani member of a band of jihadist suicide bombers planning multiple attacks in the city, takes refuge with an assimilated friend, Khalid, in Jersey City when the attacks have to be postponed. Hassan suffers pangs of conscience about betraying Khalid’s trust and shadowy recollections of being imprisoned and interrogated for terrorist associations in Europe.


• Broken Flowers (2005) (R: Occasional profanity, nudity and sexual candor; fleeting violence) — *1/2. Another exercise in starvation comedy from Jim Jarmusch, who casts Bill Murray is cast as a middle-aged sad sack who has acquired a reputation as a Don Juan. He looks up four discarded consorts, played in order by Sharon Stone, Frances Conroy, Jessica Lange and Tilda Swinton. Only the Stone stopover pays humorous dividends, in part because the old flame has a flirty teenage daughter named Lolita (Alexis Dziena) who enjoys treating the visitor like a potential Humbert.

• The Constant Gardener (2005) (R: Occasional graphic violence with gruesome illustrative details; elements of sexual candor and racial animosity) *1/2. A movie version of the John Le Carre novel, which belabors a tendentious plot about a deceived and grief-stricken British diplomat in Kenya, a new showcase for Ralph Fiennes as a suffering gentleman. He investigates the violent death of wife Rachel Weisz, a left-wing political activist who appears to have been taking shameful advantage of his trust. Nevertheless, the circumstantial evidence contrived to give her a shady profile is eventually softened, leaving the ghost of an angelic martyr to international opportunists in league with a pharmaceutical conglomerate.

• Dear Wendy (2004) (No MPAA rating: Adult subject matter, with occasional graphic violence) — *1/2. Another feckless anti-American allegory from the Danish crank Lars von Trier, entrusting his faulty scenario to a colleague, Thomas Vinterberg. Their hardscrabble mining town is meant to resemble the forlorn and bigoted site Mr. von Trier called “Dogville” in his last allegorical monstrosity. The youthful protagonist, Dick (Jamie Bell), writes a farewell letter to his beloved handgun, Wendy, a small-caliber revolver without a trigger guard. Dick and his pal Stevie (Mark Webber in a likable performance) start a gun club that meets in an abandoned mine shaft, but their pacifistic intentions come to grief, for reasons that are ludicrous at best. Exclusively at the Landmark E Street Cinema.

• Everything Is Illuminated (2005) (PG-13: Occasional graphic violence, profanity and comic vulgarity) — **1/2. An austerely stripped-down and fitfully droll movie version of the acclaimed novel by Jonathan Safran Foer. Liev Schreiber, who is not in the cast, keeps his film directing debut compact, affordable and contemporary while distilling the book’s sprawl. With Elijah Wood as the author’s fictionalized namesake, an obsessive twerp who embarks on a trip to the Ukraine looking for traces of Jewish ancestors who fled or died during World War II. Eugene Hutz is an amusing, rawboned find as his malapropic guide Alex, an Americanized hustler-hipster.

• The Exorcism of Emily Rose (2005) (PG-13: Frightening imagery, mature themes) — **1/2. Take a courtroom drama and mix in some demonic possession and you get this well-crafted but slight horror flick based on a true story. The trial follows a priest (Tom Wilkinson) accused of negligence in the death of a young woman he tried to save via exorcism. Laura Linney plays the lawyer out to clear the father’s good name. The scares can’t match the grandfather of all possession films, “The Exorcist,” but writer/director Scott Derrickson shows flair with a few goose bump moments. Reviewed by Christian Toto.

• The 40 Year-Old Virgin (2005) (R: Profanity; pervasive sexuality; crude humor; drug use) — ***. An unapologetically hilarious sex farce with sweetness at its center, starring brilliantly understated comedian Steve Carell as a terminally chaste electronics store stock supervisor. His work buddies (Paul Rudd, Romany Malco and Seth Rogen) entice him to do the deed with all manner of floozies, but he’s got his heart set on Catherine Keener’s doggedly classy Trish. Reviewed by Scott Galupo.

• Good Night, and Good Luck (2005) (PG: Fleeting profanity) — **. A small-scale, black-and-white tribute to Edward R. Murrow and the staff of his “See It Now” public affairs show on CBS at the time in 1954 when the host decided to criticize Sen. Joseph McCarthy. George Clooney, who collaborated on the screenplay and directed, also plays producer Fred W. Friendly, ceding the uptight spotlight to David Straitharn as the chain-smoking, somber Murrow. The senator is seen only in fleeting archival footage. An antagonist of sorts emerges: Frank Langella in a magisterial impersonation of board chairman William Paley, who backs Murrow’s controversial beau geste despite obvious reservations.

• The Gospel (2005) (PG: Some adult situations) — **1/2. The biggest sin the filmmakers commit in “The Gospel” is to cast Donnie McClurkin — the best male gospel artist around — and not allow him to sing. Otherwise, this is not a bad little film, if you look beyond its preachiness and a hackneyed plot that has a superstar recording artist (Boris Kodjoe of Showtime’s “Soul Food”) staging an all-star benefit gospel show to save his father’s church. The concert, “Gospel’s” strongest suit, goes well — but the movie goes downhill from there. Still, it’s filled with joyous, toe-tapping sounds, and that’s why this “Gospel” is indeed good news. Reviewed by Robyn-Denise Yourse.

• Green Street Hooligans (2005) (R) — A topical melodrama starring Elijah Wood as a Harvard dropout who retreats to England for a visit with his married sister, Claire Forlani. He promptly falls under the influence of bad company, her brother-in-law Charlie Hunnam, an incorrigible soccer hooligan. Not reviewed.

• A History of Violence (2005) (R: Extreme violence, sexual situations, mature language and themes) — **1/2. Director David Cronenberg’s latest purports to be a meditation on violence in our culture. It will make audiences ponder that theme, but it’s far too interested in imitating a Steven Seagal caper. Viggo Mortensen does all he can to bridge the chasm between the two styles, but ultimately the rugged actor can’t make it work. The film also stars William Hurt and Maria Bello. Reviewed by Christian Toto.

• In Her Shoes (2005) (PG-13: Strong language, mature situations and sexual content) — **1/2. “LA Confidential’s” Curtis Hanson takes on a best-selling novel about battling sisters (Cameron Diaz, Toni Collette) whose lives couldn’t be any less alike. Enter a widowed grandmother (Shirley MacLaine) they both thought was dead and you have the first stages of sisterly reconciliation. The film’s chick-lit pedigree clashes with Mr. Hanson’s earnest staging, making “Shoes” a clumsy fit for those unfamiliar with the source material. Reviewed by Christian Toto.

• Into the Blue (2005) (PG-13: Violent action, sexual situations and mature language) — *1/2. “Fantastic Four’s” Jessica Alba parades around in a series of bikinis in this water-based thriller from the writer-director of “Blue Crush.” It’s still as dull as a bag of sand. Miss Alba and Paul Walker play two divers who discover a sunken treasure that snares the attention of a local drug lord. “Blue” takes forever to set up its simple premise, drowning us in an ocean of pretty oceanography and cardboard characters. Reviewed by Christian Toto.

• Junebug (2005) (R: Profanity, sexual content, including nudity) ? ***. Funny, intimate and affecting first feature from native North Carolinian Phil Morrison that chronicles the culture clash that ensues when a man (Alessandro Nivola) brings home a worldly wife to his childhood home in Winston-Salem. Written by Angus MacLachlan. Reviewed by Scott Galupo.

• Lord of War (2005) (R: Drug use, violence, sexual situations and adult themes) — **1/2. Nicholas Cage stars as a veteran gunrunner who confronts the consequences of his work while being hounded by an Interpol agent. “War” co-stars Jared Leto, Ethan Hawke and Bridget Moynahan. Reviewed by Christian Toto.

• March of the Penguins (2005) (G) —***. This often dazzling film capturing the life cycle of the emperor penguin will entertain even those normally repelled by nature documentaries. The creatures in question endure brutal temperatures and unforgiving landscapes yet maintain their species through fascinating coping measures. The film’s photography, which brings us right into the penguin world, occasionally is eclipsed by its cutesier segues. Reviewed by Christian Toto.

• Oliver Twist (2005) (PG-13: Sustained ominous elements and occasional graphic violence) — *1/2. Dickens definitely eludes Roman Polanski and screenwriter Ronald Harwood, resulting in perhaps the first movie version of “Oliver Twist” that runs out of gas before Oliver reaches London. Ben Kingsley is the only stellar attraction, a Fagin whose most telling characteristic is extremely squinty eyes. Barney Clark is an appealing Oliver, but the level of casting and evocation compares so poorly to the vivid, stirring David Lean and Carol Reed versions that it’s difficult to believe the new filmmakers were enthusiasts for the source material.

• Proof (2005) (PG-13: Occasional profanity and sexual candor; scenes of family conflict and loss) — **1/2. A movie version of the Pulitzer Prize-winning play by David Auburn that reunites the leading lady and director of “Shakespeare in Love,” Gwyneth Paltrow and John Madden. Miss Paltrow has enjoyed finer demonstrations of cinematic pathos. The strongest performance is contributed by Anthony Hopkins in the post-mortem role of her father, a famous mathematician reduced by dementia. Jake Gyllenhaal proves a callow choice as the young colleague chosen to liberate the heroine from her Sleeping Beauty trance as a dutiful but heartsick daughter and unsung brainiac.

• Separate Lies (2005) (R: Occasional profanity and sexual candor; thematic preoccupation with social depravity) — *1/2. A prosperous couple played by Tom Wilkinson and Emily Watson (workaholic solicitor and restless wife) plunge into a downward spiral when she takes up with a dissolute aristocrat (Rupert Everett) and becomes implicated in a hit-and-run calamity. The cuckolded husband decides to cooperate in a cover-up by the time an inspector calls. It’s all meant to be terribly sophisticated about moral ambiguity, although no ambiguities are discernible.

• Serenity (2005) (PG-13: Sequences of intense violence and action, some sexual references) — ***. The short-lived TV series “Firefly” is reborn as a smart, satisfying feature film from the show’s creator, Joss Whedon (TV’s “Buffy the Vampire Slayer” and “Angel”). The film rejoins the crew of the spaceship Serenity, featuring the actors from the 2002 Fox series, including Adam Baldwin, Nathan Fillion and Gina Torres. Fans and neophytes will appreciate the smart humor and adroitly choreographed fight sequences. Reviewed by Christian Toto.

• The Thing About My Folks (2005) (PG-13: Comic violence, strong language and adult humor) — **1/2. Former “Mad About You” star Paul Reiser whips up a thoughtful road picture between a middle-aged man (Mr. Reiser, working double duty as the screenwriter) and his crusty pop (Peter Falk). Mr. Reiser’s sitcom sensibilities stay buried until the final reel, but before then we’re treated to a beautifully acted feature filled with rich, real dialogue and a brilliant turn by Mr. Falk. Reviewed by Christian Toto.

• Thumbsucker (2005) (R: Profanity; sexuality involving teens; drug use; disturbing image) — . Clever, affecting first feature from director Mike Mills, who adapted Walter Kirn’s novel about an otherwise typical mixed-up teenager with a deeply unnerving private habit: thumbsucking. The young Lou Pucci deftly negotiates his character’s transition from misfit to monster, and back again, while Benjamin Bratt and Keanu Reeves turn into terrific bit roles. Also starring Tilda Swinton and Vincent D’Onofrio. Reviewed by Scott Galupo.

• Tim Burton’s Corpse Bride (2005) (PG: Scary images; brief mild profanity) — ***. A creepy, enchanting new stop-animation feature from Tim Burton and co-director Mike Johnson. Johnny Depp voices the main character, the melancholy Victor Van Dort, whose arranged marriage to the daughter of impoverished aristocrats is interrupted when he awakens the spirit of a long-dead bride and winds up in the strange underworld of the living dead. Reviewed by Scott Galupo.

• Touch the Sound (2004) (No MPAA rating: Adult subject matter) — A documentary feature about the deaf percussionist Evelyn Glennie, observed on and off the concert stage by director Thomas Riedelsheimer. Exclusively at the Avalon. Not reviewed.

• Two for the Money (2005) (R: Pervasive vulgar language, a scene of sexuality and a violent act) — **. Al Pacino is Walter Abrams, a betting advisor who teams up with a prediction prodigy (Matthew McConaughey) in the hopes of winning big. It’s up to Walter’s wife (Rene Russo) to keep them both from self destructing from their fast-paced lifestyles. Mr. Pacino’s over-the-top style makes “Money” worth watching, but the film’s promising setup gives way to a formulaic final reel. Reviewed by Christian Toto.

• Waiting (2005) (R) — A comedy predicated on a hectic shift at a chain restaurant called ShenaniganZ, where new employee John Francis Daley becomes acquainted with regulars Ryan Reynolds and Justin Long, manager David Koechner and other denizens of the kitchen and dining room. Not reviewed.

• Wallace & Gromit: Curse of the Were-Rabbit (2005) (G: Fleeting comic vulgarity) — ***. The long-awaited and often gratifying feature debut of the popular animated characters created by England’s Nick Park and showcased a decade ago in two masterful half-hour shorts. Wallace, an eccentric inventor, and his silent but resourceful dog Gromit are operating a humane pest-removal service tasked with removing rabbits destroying the produce of village gardeners anticipating a vegetable festival. Wallace and Gromit seem to be caring for every bunny they catch in teeming basement pens. A science-fiction monster rabbit is created inadvertently in Wallace’s lab and starts emulating King Kong. With the voices of Peter Sallis as Wallace, Helena Bonham-Carter as festival hostess Lady Tottington and Ralph Fiennes as her unscrupulous suitor Victor Quartermaine, a snooty letdown as an antagonist.MAXIMUM RATING: FOUR STARS

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