RICHMOND | In the passionate world of Civil War re-enactors, authenticity is everything - from uniforms with historically correct stitching to hardtack made from scratch.
A battle re-enactment near Windsor, Va., last month pushed realism to the limits: a retired New York City police officer portraying a Union soldier for a documentary film was shot in the shoulder, possibly by a Confederate re-enactor.
The shooting sent the 73-year-old to the hospital and left the Isle of Wight Sheriff’s Office in rural Southeastern Virginia with a Civil War-style CSI case. Investigators used film to piece together what happened and have narrowed a suspect to one re-enactor.
According to witnesses, Mr. Lord was raising his arm in victory when a musket ball ripped into him. “I felt like I got hit in the shoulder with a baseball bat,” he told the Daily Press of Newport News
The Sept. 27 injury also sent ripples through the tight-knit re-enactment community, which can be understandably sensitive to public perceptions of thousands of enthusiasts toting swords and firearms in roughhewn uniforms, often on horseback.
“We were sort of freaked out because this hits the hobby hard,” said Ed Hooper, editor of Camp Chase Gazette, a monthly magazine aimed at re-enactors. “It is so out of the norm.”
The shooting of Thomas R. Lord Sr. in a Suffolk park violated the cardinal rule of re-enacting - no loaded weapons. Black powder brings the flash and bang to the pageantry, but even that primitive explosive is used gingerly.
Re-enactors said Mr. Lord’s shooting may have happened in part because walk-ons were used. These are re-enactors who typically are not affiliated with a unit and unfamiliar with the chain of command or safety rules, akin to a football player showing up on game day to play for a team the athlete has never met.
Mr. Lord’s shooter was among several Confederate re-enactors who showed up at the filming, said John C. Jobe, a member of Mr. Lord’s unit who witnessed the shooting.
Re-enactors who have worked in filmed battles said the camera itself might have been a factor, saying filmmakers sometimes put realism over safety and ignore the hobby’s strict rules of engagement. The re-enactors who were there when Mr. Lord was hurt said they weren’t sure whether the film crew checked for loaded weapons before the battle commenced.
Sheriff C.W. “Charlie” Phelps said he didn’t have evidence that the filmmakers were negligent.
“I can’t say that anybody dropped the ball,” he said.
Mr. Lord was shot in the shoulder while portraying a member of the 7th New York Cavalry. The unit answered an Internet casting call from a film company called Alderwerks.
Officials with the Virginia Film Office were not familiar with the company or the director, listed on the casting call as Matthew Burchfield, who was credited as a casting assistant on director Terrence Malick’s 2006 film “The New World,” starring Colin Farrell and Christian Bale.
In an e-mail, Mr. Burchfield declined to discuss specifics of the filming because of the investigation.
“We are thankful for Mr. Lord’s recovery and continue to keep him in our thoughts,” Mr. Burchfield wrote. “We have been in full co-operation with the investigators on this case and await their findings.”
Re-enactors’ attention to detail was on display again this month at Cedar Creek Battlefield in Northern Virginia, when thousands participated without any serious injuries, said Jake Jennette, who commanded the Confederate forces that weekend.
With the cadence of a retired Marine Corps infantry officer, Mr. Jennette ran through a laundry list of inspections his troops must undergo, from weapons inspections to repeated drills.
“When we go on the field we are satisfied that the weapon is cleared,” Mr. Jennette said. “We’ve trained these guys. We start them out as a private in the ranks.”
Walk-ons would not be allowed to fight under Mr. Jennette’s command.
“We don’t let strangers fight,” he said. “We fight together, we trust each other.”