- The Washington Times - Friday, April 3, 2009

NEW YORK | Marlene Perez’s “Dead Is the New Black” is a young-adult novel with a noirish pink-and-black cover and a supernatural plot. If it ever becomes the next sensation, give some credit to middle schoolers such as Geneva Lish.

“It really caught my eye,” says Geneva, a seventh-grader. “It has an unusual plot and a unique power. And the title is intriguing.”

Geneva didn’t buy the book online or at a store. She was among the students at J.H.S. 167 in Manhattan who recently visited the Scholastic Book Fair, shopping on the stage of the school’s auditorium as they looked through graphic novels, fantasy, children’s cookbooks and a Life magazine volume about President Obama.

They purchased Stephenie Meyer’s “Twilight” novels, the latest “Diary of a Wimpy Kid” and Linda Gerber’s “Death by Latte,” a mystery set in part at a Seattle coffee shop. Ashley Zhang, another seventh-grader, is buying Mari Mancusi’s “Gamer Girl,” featuring a lonely high schooler who becomes a star when playing online games.

During a hard time for publishing, and for education, the fairs remain a relatively stable source of income. According to a recent report from the Scholastic Corp., revenues from fairs for the nine months ending Feb. 28 were $261.2 million, virtually unchanged from the comparable nine-month period a year earlier.

“I’ve never met one parent who said, ‘My kid has too many books.’ … You might cut a lot of things out. You might cut out a toy. You’re not going to cut out a book,” says Scholastic’s president of book fairs, Alan Boyko.

The fairs not only reaffirm what’s popular, but also anticipate the hits. Before “Diary of a Wimpy Kid” was a million-seller with the general public, it was catching on at fairs. Gordon Korman’s “Swindle” sold a half-million copies at fairs, far more than at stores, according to Scholastic. “Captain Underpants” and “The Chronicles of Vladimir Tod” are other series that were discovered early at fairs.

“We felt that the fair exposure to the books — probably helped to get ‘Wimpy Kid’ to number one in retail. They see it and go to the bookstore,” says Michael Jacobs, chief executive officer and president of “Wimpy Kid” publisher Harry N. Abrams Inc.

“‘Dead Is the New Black’ was my first book at the school fairs, and I can tell you when it hit the fairs, my e-mails from readers really spiked,” says Miss Perez, whose other books include “The Comeback” and “Love in the Corner Pocket.”

Book fairs have been around for decades, although the field now is largely controlled by Scholastic. The publisher says its business has grown from around 8,000 annual fairs in the early 1980s, with sales of around $5.5 million, to around 120,000 fairs expected this year.

The field is enticing enough that Barnes & Noble Inc. has steadily increased its own fairs by double digits over the past few years, to more than 10,000 in 2008, according to the superstore chain’s vice president of speciality marketing, Kim Brown.

“As the school budgets are tightened up, the parents — the PTA — are looking for different ways to fundraise,” Miss Brown says. “Luckily, people save their discretionary income for their children.”

Educators and parents welcome the money earned, as 25 percent or more of the take goes back to the schools, but, as with the Scholastic book clubs, they worry about what’s being sold. Scholastic fairs, like the clubs, often feature books that are tied to TV shows such as “Hannah Montana,” or nonbook products such as pencils, markers, toy banks and electronic games.

Susan Linn, director of the Campaign for a Commercial-Free Childhood, a national coalition of educators, health care professionals and parents, likens Scholastic’s stature as a trusted educator to that of public television.

“Because of that, they’re allowed a lot of leeway that other companies might not be allowed,” says Miss Linn, whose organization is based at the Judge Baker Children’s Center in Boston. “And I think that Scholastic has been taking advantage of their privileged position.”

Scholastic’s Alan Boyko defends the inclusion of “Hannah Montana” books and other products, saying they are available along with such classics as “Charlotte’s Web” and “A Wrinkle in Time” to make book fairs more fun and help attract reluctant readers. He says selections are made with the input of educators and are tailored to individual schools.

The book clubs and book fairs operate differently. Book-club fliers include nonbook items along with the books. For fairs, schools can choose not to display, sell or promote any book or product shipped.

Miss Linn acknowledges that school fair committees control what’s sold, and she raises an issue that parents and educators also debate: Schools may not want to stock some of the materials, but the materials they find objectionable often are as popular as other items, or more so.


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